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Whump-Whump

An Acorns Flash Fiction Feature

By: S. Y. Coffelt

Every day, the pop-pop of gunfire and the whump-whump of energy theft warn of more deaths nearby. Shooters and Suckers petrify me. Dead neighbors, riddled with bullets or life force sucked empty, pile up outside. I hide in my basement apartment and meditate, aiming to produce only low energy delta brain waves. Hoping to escape death.

Most afternoons Rashid taps on my window and calls. “Come out, Shawn. Come now.” He’s only six, but when he puts his hand in mine, I feel alive. He’s like that first warm day after a dreary winter. Like a cold lake in oppressive heat. Like the sumptuous feast after the fast.

This afternoon, the sun blazes as heat rises from the asphalt with the stink of tar. Otherwise, the oven-like street seems benign. Rashid has found a softball, crusted with dirt and half the stitching undone. I leave my refuge for a game of catch. We play until Rashid’s mother, Lakiesha, calls him.

“Hey.” Lakiesha tamps down her energy too. She peers first up the street, then down, looking for trouble, relieved not to find it. “Thanks for spending time. You must like kids. Most grownups wouldn’t bother. He gets bored inside.”

I gaze at the sky and not at Lakiesha. Kids and me—no. I’ve only ever liked Rashid. “He’s safe with me.”

“Wish he’d be more afraid to be outside.”

Words of warning tumble from me. “Rashid’s nothing like us. The inside will stunt him.”

She tilts her head as if I’m stupid. But I know what I know. Rashid’s energy is inevitable, like the daily sunrise. I’ll protect him from the Suckers and Shooters. If I can.


A whump-whump wakes me at midnight. The neighbor in 201B plummets downstairs. At dawn, the landlord kicks him outside and  throws his belongings to the sidewalk. Instantly, the good stuff is gone. The sun bakes the street as flies swarm the fast decaying body.

 Rashid taps on my window, calling, “Come out.”

 It’s too hot and soon the smell of rot will turn unbearable. “Better come inside.”

 He nods, his sneaker-shod feet hissing up the stoop and down to my door. He comes through and grabs my hand. A zing runs up my arm.

“What we gonna do?” he asks.

We share a bottle of water and eat stale crackers.

Pop-pops and ka-booms penetrate the stone walls. Shooters are close by. Rashid gazes through the window glass. For once, his fright shows.

 I clench my fists. “You’re all right here.” It’s a promise that’s maybe true.

 The afternoon speeds by. He chatters. I listen. The sounds of dying fade as the sun sets.

 Lakiesha knocks and comes in, squinting out the window. Her ominous gaze lights on me.

I shut the blackout drapes and make a promise. “I have stuff for a barricade for when it gets dangerous.”

She crosses her arms and glowers. “That time is now.”


But time seems meaningless. Even the weather is nothing more than hot or hotter. Scorching winds yowl and muffle the death knells.

I gather books from apartments of the dead to stack three deep against the window. Without a gun, I can’t test for bulletproof-ness. I can only hope. Nothing will shield me from the energy thieves. I’ve never seen one. Don’t know what to look for. How it works is a mystery.

Sometimes I hear a Sucker’s whump coming from inside the building. No one has ever figured out where the Suckers come from. Viruses? Mutations? Aliens?

On a day darker and cooler than most, Rashid scratches at my door. “Shawn, come outside ‘cuz there’s rain.”

Rain tempts me. I remember thunder and ozone, a memory like the fading photographs of my parents. So long ago and only fifty-some years.

I step into the hallway. “Where’s your ma?”

“Baking me a birthday cake.” He holds up seven fingers and waits for me to say, “Happy birthday.” Then I follow him up the stairs and out the big door to the sidewalk.

High clouds cover the sun and the air is thick with moisture. A storm is coming.

“Let’s play dodge ball.” He zigzags into the empty street.

“No ball.”

 “Pretend.” He swerves to avoid an invisible ball. “You do it too.”

I squint, studying the street for danger. Feinting a few running steps, I pretend-play, but Lakiesha comes out, saving me from oozing energy.

No one cooks anymore since electricity vanished years ago. The plate she holds is covered in icing sugar mixed with water. Even that’s a treat. Rashid gets the first finger swipe of the dish.

“Sing happy birthday,” he says.

 Lakeisha shoots me a glance. “No such song and even if there was, no reason to sing it nowadays.”

She’s right. Why celebrate birthdays with the world coming apart?

A drop of rain lands on my nose. Distracted, I notice too late the old black car chugging toward us, smoke pouring from the exhaust.

I scream, “Get down!”

The barrel of an automatic rifle emerges from the back window and fires a burst of rounds. I drop on top of Lakiesha who’s covered Rashid with her body. I’m heavy. Rashid gasps for breath. The bullets miss us, but beneath me comes a hushed whump-whump.

I struggle up and pull Rashid out from under his mother. His energy shines brighter than the summer sun and blinds me.

Now I know.

I shove him toward the door. “Hurry. You’ll be okay in my apartment.”

But will I?

Lakiesha uses her last breath to whisper. “Promise. Keep him inside.” She dies only after she sees me nod.

She’s right and wrong. Outside is certain death. But inside, the real monster waits. What will happen when the Suckers—the little ones like Rashid—suck everything dry?

I have to teach him to never suck, even foreseeing the time when he kills me. On that day he’ll venture out to join the rest of them, the devourers of earth.

When that’s gone, will they eat the planets? Consume the sun? Cannibalize each other?

I spin in a circle to run away, but can’t. Rashid is only seven and it’s up to me to keep him safe.

I push Lakiesha’s body into the gutter and go inside.

About the Author:

S. Y. Coffelt spent a decade wandering from university to university, earning her BA in philosophy, only to read the classifieds one day and realize her mistake. She now lives on an acreage in Kansas, tending gardens in spring and summer, and writing dark speculative fiction in all seasons. She has stories published in Noncorporeal Anthology, the Cloaked Press Fall Fantasy Anthology, and Dragon Soul Press’ Spells and Fangs Anthology, and  Wicked Shadow Press’s Small Town Shadows anthology, among others.  

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Bright Eyes and the Dracor Clan

An Acorns Flash Fiction Feature

By: M.D. Smith IV

The French Quarter never sleeps. It dreams. And I walk its dreams. My paws touch the cracked cobblestones, slick with last night’s rain, each step echoing softly between shuttered doors and balconies dripping iron lace. The gas lamps above hum and hiss like watchful spirits, their yellow light bending in the fog.

Humans call me Bright Eyes. I belong to Tarantulena Tolbert, or so they think. In truth, she belongs as much to me. She is my keeper, my anchor, my shadow, and I, hers.

Tarantulena is a witch, but not the kind the storybooks warn you about. She saves her craft for the desperate. I have seen her whisper into a jar of camphor until a sick child’s lungs drew breath again, and I have watched her stroke a feather along a dying man’s limbs until his bones knit whole beneath her touch. She works quiet miracles, never seeking thanks, never leaving a trace but relief.

We live small, as witches must. Our house keeps to itself behind peeling shutters, wrapped in the Quarter’s noise, jazz rolling down the alleys, drunks spilling wine and secrets, and fortune tellers scratching cryptic patterns in chalk. The air here is thick with memory, swollen with spirits.

But peace never lingers long in New Orleans. The Quarter’s dreams are restless, and tonight, they stir with something darker.

I felt it first, before the humans, before even Tarantulena. The air changed. The rain-slick streets, usually spiced with rum, sugar, and fried dough, turned bitter, as though someone had burned sage but left the smoke soured. My whiskers twitched. My tail lashed once.

“Bright Eyes,” Tarantulena murmured from the upstairs window, her shawl pulled tight around her thin shoulders. Her voice, usually steady as the river’s flow, carried a tremor. “You feel it too.”

I blinked up at her, and in my golden eyes she saw her answer.

The Dracor clan arrived on the Mississippi, their barge creeping down like a plague. The father, Corbin Dracor, was a sorcerer from Darkwoods, Kentucky. His daughters, five of them, with hair black as crows and eyes cold as tombstones, spread through the Quarter like rot. Shopkeepers who refused their “levy” found tragedy at dawn. Explosions in kitchens, fires leaping from candles, wagons toppling into ditches. Coin bought survival. Defiance bought ruin.

Even I felt it. The Quarter’s dreams grew fevered. Dogs howled at corners where no one stood, and the air smelled of burned copper.

One night, when the moon sat thin and mean, Tarantulena stroked my back by the window. She smoked a long, scented cigarette, her eyes hard and tired.

“They’ll starve this city, Bright Eyes,” she said. “Folk are afraid, and fear feeds monsters.”

I purred, though my black tail twitch quickened. She knew what I could do, what lay hidden in the golden fire of my gaze. Anyone foolish enough to look straight into my eyes when using my power, found their will unmade, melted into wax that Tarantulena and I could shape. Rage turned soft. Malice turned meek. The mighty fell to their knees, eager to please.

But the Dracors were no common thugs.

“They’ll come here sooner or later,” Tarantulena murmured. “And when they do, we’ll need to decide to run or stand.”

I blinked at her, slow as a promise. Stand. Always.


The Dracors came at dawn three days later. I smelled them before I heard them, rot, blood, and swamp water. Corbin Dracor and daughters strode into the Quarter in a crooked line. They wore dresses like mourning veils and carried charms that hissed like snakes trapped in bottles. The shopkeepers bowed, trembling, as he barked his decree: double the levy, or double the suffering.

That night, he came to us.

Tarantulena sat calm at our table, sipping chicory coffee as if expecting company. I lay curled in her lap, my eyes half-closed.

“Madame Tolbert,” Corbin said, voice slick as oil, “you’ve lived here long enough to know the way of things. Pay your due, and perhaps your pretty little house won’t burn.”

Tarantulena flicked ash into a dish. “I pay no thieves. Not in coin, not in kind.”

One of his daughters hissed like a serpent. Another fingered a knife.

The hair on my back stood at attention.

Corbin sneered with fists clenched. “Then I’ll take your house, your bones, and your familiar. What’s a witch without her black cat?”

My tail stood straight up, tip flicking. Tarantulena smiled thin as a razor’s edge.

“Don’t look into my cat’s yellow eyes,” she warned.

But pride makes fools of people. Corbin laughed and met my gaze.

The moment his pupils touched mine, I let the sun blaze out. My eyes burned molten. I poured into him causing his fury, greed, and violence to all twist into something harmless, something soft.

His grip slackened. His shoulders sagged. When he spoke again, his voice was that of a child.

“What… what would you have me do?” he whimpered.

“Fetch the garbage can from the street,” Tarantulena said coolly. “And sweep my porch.”

And he did.

Corbin’s daughters screamed, their spells writhing, but one by one they made the same mistake. One by one, they stared into my eyes, and one by one, they became husks of their cruelty, cooing like pigeons, bowing to Tarantulena as if she were queen.

But witches know curses don’t die; they’re only redirected. Tarantulena stood, her shadow long on the wall. “You’ve poisoned the Quarter long enough. It’s time you took your rot back where you came from.”

That night, under cover of storm clouds, I padded ahead, my tail high, their puppeted bodies stumbling after me as we marched the Dracor clan to the river. The shopkeepers gathered, whispering, watching as Tarantulena raised her hand and pointed. A barge waited in the mud, ropes creaking.

She spoke in the old tongue, the one that smells like iron and lilies. The Dracors climbed aboard, docile as lambs, still under the prison of my gaze. When the last daughter stepped onto the deck, Tarantulena cut the rope.

Corbin whimpered. “Where are we going?”

“Out to sea,” Tarantulena’s thundering voice echoed. “And you’ll never come back.”

The current seized them, carrying them into the dark. The barge drifted, slower, smaller, until the Gulf swallowed it whole.


The Quarter exhaled, and air felt lighter, the dreams calmer. People cheered Tarantulena’s name, but I knew better. She glanced down at me, and I leaped to her shoulder, my soft purr against her ear.

“Good work, Bright Eyes,” she whispered. “But remember, power like yours leaves scars. Every will you break, every mind you bend, it changes the world. We saved them tonight, but someday, we may pay the price.”

I licked her cheek, and she laughed, though her eyes stayed grave.

The Quarter rested peacefully again. Yet I watched the river. Tarantulena watched my golden eyes glowing in the dark, waiting, always waiting… for the next shadow to rise.

Because shadows always do.

About the Author:

M.D. Smith of Hunstville, Alabama, writer of over 350 flash stories, has published digitally in Frontier Times, Flash Fiction Magazine, Bewilderingstories.com, and many more. Retired from running a television station, he lives with his wife of 64 years and three cats. https://mdsmithiv.com/

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Yutsuki’s Flower

An Acorns Flash Fiction Feature

By: David McGillveray

Daimyo Imagawa stepped on to the quayside still furious with the lords of the other islands. Negotiations had gone badly. Well, they would soon find out that taxes could be paid, or they could be collected.

The thought lightened his mood a little as he marched through the harbour, a phalanx of samurai at his back. Imagawa ignored the fisher folk who fell over themselves to get out of his way.

His fortress crowned the island of Ukejima, dominating the land and the sea.

“I will take the garden entrance,” he told the attendant that waited for him, Takanashi. It always pleased him to take a moment in the garden on his return home; its beauty and its order calmed him. But once through the gate he pulled up short. Something was not right.

A lone figure in blue peasants’ garb kneeled among the rocks of the garden, working at something in the soil.

“You!” Imagawa shouted. “Who are you?”

The figure turned to stand facing him, head down, hands together. A young woman, little more than a girl. Her hair was cut short like a boy’s, but her frightened face was heart-shaped and beautiful.

“My name is Yutsuki, Lord,” said the girl quietly.

“What are you doing here? Where is the proper gardener?”

“My grandfather died, Lord. Do you not remember that you dismissed him? The garden was everything to him.”

Daimyo Imagawa looked momentarily confused. He frowned. Oh yes, the silly old fool had left a rake in the path. He had nearly stepped on it. “Well where’s his replacement then?”

Takanashi whispered something in his ear.

“So find someone, then,” Imagawa bellowed. “And throw this creature out. Women are not permitted in my garden.”

Two of the samurai took Yutsuki by the arms and pushed her out through the gate. The lord of the island glared after her, his peace ruined. He stamped towards his apartments, casting a critical eye across the rockery, the water features and the gravel. Much work was needed. Much work.

He did not notice the tiny white flower growing newly in the centre of the garden.


In the morning, Daimyo Imagawa had decided. He gave orders to muster a company of men from the fortress and the barracks in the town. Those insolent lords would pay what he was due, including additional fines in blood.

He felt so much better that on his way to the harbour he decided to linger in the garden, to savour the silence and the retribution to come. But once again his pleasure was spoiled. Lines were not perfect; elements were out of place. A white flower the size of a dinner plate grew among the rocks making up the garden’s central feature, pretty enough, but not right.

“Takanashi, if this garden isn’t to standard when I return I’ll have your head on a spike and the rest of you in the fire!” he roared into the morning quiet, and headed off down the hill.

The lord filled three ships with men and sharp steel and put to sea.


Once more, Daimyo Imagawa came home. The harbour was quiet, the atmosphere of the town sombre to match his mood – news had travelled back ahead of him. The neighbouring islands had met his forces and demands with unexpected resistance. Lord Sanjo’s men had even reinforced Lord Ogimachi in a pitched battle on the latter’s beach. It was unheard of! Hitherto, every other lord would rather have seen his rivals choking on their own blood than lift a manicured hand to their aid.

Insult of insults, Imagawa had received a glancing blow from a stone thrown at his retreating company as they fell back to their ships. He scratched at the wound now, flakes of rusty blood under his fingernails, and rage boiled within him.

He returned to the fortress only to be confounded further. He opened the gate to the walled garden to find the entrance barred by a profusion of white petals, each nearly as big as a man, their scent overpowering in his nostrils.

“What is this?” he sputtered. The soldiers behind him muttered their bafflement. “Takanashi!”

He found the attendant cowering in the main house. The man fell to his knees before his lord. “It is sorcery, Lord. When you cut it, it only grows back faster.”

“Nonsense, man. Did you find a gardener who might actually know what they’re doing?” sneered Imagawa.

“There are none to be found, Lord,” Takanashi whined. “The peasants have been drifting away, leaving Ukejima.”

Imagawa drew his katana from his belt. “Then why didn’t you stop them then?” he thundered. Takanashi scraped lower at his feet. “I ought to take your head right here. Get down to the town and select a dozen men, women and children and execute them on the quayside. Immediately! Make sure everyone sees. I’ll have no deserters. I want wailing in the streets!”

“At once, Lord.” Takanashi grovelled from his presence.

With weapon still drawn, Imagawa strode to the house entrance of the garden and sliced at the huge flower that now, incredibly, filled the whole space, pushing against the inner walls. The sharp blade cut into the tip of the nearest petal and stuck there. He wrenched it free. To his amazement, the wound closed before his eyes. Furious, he swung the katana and hacked at the growth again and again, chopping pieces into the air and scoring long slashes in the flower’s leathery flesh until at last he sagged back, exhausted. The graze on his head throbbed.

He watched blearily as the petals repaired themselves, grew anew, the glow of its inner life reasserted.

In the night, a crashing noise awakened Imagawa from an uneasy sleep. Part of the outer wall of the garden had collapsed. Unnatural white petals pushed through the paper panels of the house.

Daimyo Imagawa put to sea the next day with all the men he could muster.


The lords of the other islands had had enough of Daimyo Imagawa. For years they had suffered his taxes, his cruelty, his arrogance and that incredibly annoying strut as he walked into their palaces and fortresses as if he owned them, which he thought he did. Well no more!

The newly elevated Daimyo Sanjo had succeeded in uniting the squabbling lords under common cause. Their combined armies ambushed Imagawa as his forces laid siege to a suspiciously undermanned stronghold capping one of the nearby islands. They harried the survivors into the sea and all the way back to Ukejima.

Daimyo Imagawa found no sanctuary there. He stared, appalled at what he saw. His people had left him and his island had become changed. Fire burned his sails and arrows pierced his armour and his final expression was one of bewilderment to see the beauty that had replaced his ugliness.


The great flower bloomed from the crown of the hill, waves of white petals flowing down to the shore in a blanket of such beauty that the whole island shone like a jewel with the rising sun. The island was the flower, the flower the island. In time, the flower hardened to stone, like a sculpture carved by a god and set upon the surface of the sea.

Of Yutsuki, nothing was heard, but in the years that followed the islands became renowned for the beauty of their many gardens.

About the Author:

David McGillveray was born in Edinburgh, Scotland but now lives with his family in London. His fiction has previously appeared in Clarkesworld, Analog, Interzone and others. His story collection Forgotten Dragons, Plastic People is available through Amazon.

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From the Editor’s Desk

Reading a book in front of a campfire, with a pine tree line and sunset in the background

As we come into spring and the blossom of seasonal allergies and bug bites, I’ll be spending the newly bright, warm weather reflecting on coziness.

We aren’t a “beach reads” sort of publishing house, but I think the beach can get whatever read you want to give it, so take that, summer. I’m not exactly Morticia on vacation over here, but to be totally transparent (much like my skin in July thanks to my SPF 1000), I’m not really a summer person. I love a fluffy blanket, a hot drink, and dim lighting, and all of that is tough to enjoy during the season of sweat and blinding sun.

But our next anthology, The Ordinary Magic in Extraordinary Tales, is all about coziness. Our official release date is TBD, but it’ll be just as the leaves burn orange in cool sunlight, the breeze nips your skin, and the nights get just a little bit longer. We have fourteen cozy fantasy stories for you, each more delightful than the last. They’ll be grouped thematically and paired with essays written by yours truly on how to curate a cozy life for yourself, full of conviviality and contentment.

If you didn’t know, I have a graduate degree in educational psychology and a decades-long background in recovery-based mental health. This book is a real passion project for me that combines two areas of great interest.

Let’s be real, though. All of our books are like that. I love them all—this one’s just a different type of intersection for me.

If you aren’t familiar with the cozy subgenres, the concept is a smaller cast of characters, and a more upbeat and optimistic tone. The plots have action, adventure, and emotion, but they’re lower stakes that are more about interpersonal relationships and personal development rather than world-ending issues.

Anyway, the stories have been chosen and we’re working on finalizing the last of the contracts with our authors, as well as on the details of the book. I can’t wait to get these tales out to you. There’s a wonderful mix of fantasy elements across the stories, including witchy tales, dragon tales, and ghost stories. We have modern day magic, second-world mysticism, and post-apocalyptic settings.   

Choosing the final stories for the book was really difficult, and the overall quality and quantity of submissions this time really blew me away. I had to reject some that I loved out of considerations like physical layout space and theme. It’s such an honor to attract so many talented authors willing to trust us with their work, and it allows us to build out our concept in the best, most complete way that we can.

Next up, we’ll be finalizing the cover and the essays, then the book will go to our amazing and talented layout editor, Austin Gray.

In the meanwhile, I’ll be doing a lot of reflecting on how coziness is a mindset, and how we can always make the choice to live a life of simple pleasures and contended relationships. Even while swatting mosquitos in the dead of summer.

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Live-Journaling

An Acorns Flash Fiction Feature

By: Karl El-Koura

Thank you for joining me on this live read-through of what’s supposed to be the greatest horror novel ever written. The book is claimed to actually be haunted by readers with overactive imaginations. On Goodreads the reviews spend more time chronicling people’s paranormal experiences than discussing the novel’s literary merits. The Amazon reviews are a series of warnings to read the whole thing in daylight and surrounded by friendly people.

So consider yourself warned, especially if you’re on your own at night! (With apologies for spoiling anyone’s fun, though, I don’t believe a word of those “experiences.”)


I stand by what I said, but boy do our minds play tricks on us! Especially in the dark.

I’m in my office, sitting in my most comfortable chair and sending these notes from my phone as I read through the book—yes, to all the fifteen people actively watching this thread right now. My wife and kids are asleep upstairs. No one else is in the house. But, just as the main character catches a glimpse of the dark creature crawling across the ceiling of his bedroom, I heard something in our basement. Thought I heard something.

It’s kind of funny, really.


I heard it again, just as the main character goes for a midnight run.

For the record: no one else is in our house. I went downstairs; I turned on all the lights. Just to be sure, right? No one is there. Obviously the novel’s bleak atmosphere is seeping into my mind! What possessed me to start reading this book so late at night?

Well, if you believe the people on Goodreads—and I don’t!—the only way to exorcise whatever has come into your house is to finish reading the novel.


I was convinced the reviews were fake, everyone’s tongue planted in their cheek. But I’ve been hearing the noises in the basement again. They started up as soon as I came back to my office and sat down. Someone’s walking around in my basement, trying to be quiet about it, but I can hear the footsteps.


I skipped ahead, to the last paragraph—he finally decides to seek help for his addiction to amphetamines, which of course is what is causing his insomnia. The sun rises over the hospital as he checks himself in. I skipped ahead, thinking I’d…stop hearing things. I’ve read the final paragraph twice. The first time I heard a creak on the stairs…I know it’s a step mid-way up the stairs that creaks. The second time I heard nothing for a while, and thought everything was fine and started laughing at myself, then I heard it—the sound of weight on the top landing, where the carpet gives way to tile. The reviews don’t tell you this, because they’re not real—most of them, I mean. But: you can’t skip ahead.


I’m typing into my phone whenever I feel myself getting tired. It helps me stay focused. Alert. I’ve read as quickly as I can, but I can’t finish, can’t finish before it reaches me, whatever has come up from my basement and is now slinking toward my office.

I’m going out to face it.


There’s nothing there. I’ve turned on all the lights on the main floor, all the lights in the basement. I’ve left everything on. Should I wake up Maisy? But she’ll laugh at me. Deep breath—I am being crazy, though. There’s nothing there!


Heard the footstep—just outside my office. I’m so tired—but I can’t go to sleep. I have to keep reading to the end.


The door to my office is open. I should’ve closed it—but, no, I couldn’t do that! Close myself in. But I can feel it, sense it—I’ve felt it for the last page or two, standing there, watching me. I don’t want to glance over; I think I know what I’ll see. I want to finish reading this book.


I’ve caught myself trying to fall asleep. My eyes having a mind of their own, trying to trick me into giving them what they want.


I saw it. I couldn’t take it anymore, not knowing—I looked over, and it retreated, but not before I glimpsed its light-sucking voidness. Like looking into a hole in reality. It’s the Netherwere from the novel, the shadow-creature that wants to take over the main character’s body and life. I saw it.


What does it want? It wants me to fall asleep. Like the Netherwere in the novel, its power is greatest in the liminal state between wakefulness and sleep. Only in that moment—in the novel, I mean—can it leap forward and inhabit you, evicting you from your own body, taking over your life, turning you into a Netherwere to seek out your own tired victim. It stalks our hero but never gets him, because he doesn’t fall asleep—at least, not until he checks himself in.

People…it can’t stand other people. I should wake up Maisy. It’s a small price to pay, being laughed at, isn’t it?

But if I can just power through to the end of the book, I won’t have to explain why I woke her up in the middle of the night like a frightened child. I can make it.


Caught myself again, drifting off. Can’t let that happen.


Well—I hope I didn’t pull your leg too long. There is no such thing as Netherweres, and they can’t enter our world seeking bodies for themselves.

No, the claims of this book being haunted, or being a conduit to another reality, are not true, of course. It’s a very good book.

You should read it for yourself.

About the Author:

Karl El-Koura lives with his family in Ottawa, Canada’s capital city, and works a regular job by day while writing fiction at night. To find out more about Karl, visit his website at ootersplace.com.

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The Last Page is Always Warm

An Acorns Flash Fiction Feature

By: Khayelihle Benghu

The Last Page Is Always Warm

The first time Miriam noticed the warmth, she thought it was the radiator.

It was early October, in the late hours of the afternoon, when the library grew hollow and echoing. The old pipes beneath the floor ticked and complained like tired bones. She had been re-shelving returns in the history aisle where the spines were old and some darker, the fonts more ancient. When she pulled a paperback from the drop cart, she felt heat against her palm, not body heat, no, not quite.

The book was warm the way a mug might be warm long after the tea inside has gone cold.

She held it there, confused, before checking the cover.

The Long Watch, by Arthur Bell. No dust jacket and slight curl at the corners. The library stamp inside was faded, as if impressed decades ago. She pressed her thumb to the pages and found them still warm.

Miriam looked around, half-expecting a prank, but the aisle was empty. The overhead lights hummed and the windows showed only her own reflection, thin and pale, framed by shelves.

She set the book aside and finished her shift.

The book must have embedded into her subconscious. That night, she dreamed that inside the library, the pages were live and they scanned her fingerprint.

The next afternoon, the book was back in the returns cart.

Miriam frowned. She was meticulous, had always been. She remembered placing The Long Watch on the shelf between two anthologies. However, here it was again, spine scuffed, pages faintly warm.

This time, curiosity overcame her caution. She slipped it into her bag at the end of the day and checked it out under her own name.

At home, she placed it on the kitchen table and let it sit while she made soup. The steam rose and the windows fogged. Still, when she returned and touched the book, it was warm in a way that did not belong to rooms or weather.

She opened to the first page.

The prose was spare, almost old-fashioned. A man standing watch in a lighthouse and the sea restless. The isolation familiar, Miriam read a few pages and then paused.

There was a line she did not remember from the first paragraph.

He thinks of the sound his wife made when she slipped on the rocks.

Miriam read it again and her throat tightened, becoming dry as if something was lodged inside it.

Arthur Bell’s wife had died that way. It was a minor detail mentioned in an obituary she had read years ago when cataloguing local authors. A coincidence, she told herself. Writers borrowed from life all the time.

She turned another page. The book was warmer now.

Miriam began to notice changes, sentences shifting and details deepening. Passages that felt less written than remembered. The lighthouse keeper began to think thoughts Miriam herself had once tried to forget: the hospital room with its too-clean smell, the way her mother’s hand had gone slack mid-squeeze, the silence afterward that felt heavier than grief.

She closed the book, her heart racing.

The warmth lingered on her fingertips.

For two days, she avoided it. She returned to work, catalogued donations, and answered patron questions. Almost pretended not to notice how often people paused in the history aisle, touching spines as if testing with their fingers.

On the third night, she opened the book again.

This time, the lighthouse keeper was no longer alone.

There was someone standing just beyond the reach of the light. Someone familiar, maybe someone he loved and had lost. The prose did not describe the face directly, but Miriam knew it anyway.

Her mother’s face, as it had been before the illness. Miriam slammed the book shut.

The cover was hot now –unmistakably so. She dropped it onto the table, breath shallow and pulse loud in her ears. She did not sleep that night. The following week, a patron approached the desk holding The Long Watch.

“Excuse me,” the woman said, eyes twinkling. “Is this new?”

Miriam stared. “No,” she said too quickly. “It’s old stock.”

“It feels alive,” the woman whispered, almost apologetically. “I’ve never read anything like it.”

Miriam swallowed hard. “I’m afraid it’s… fragile,” she said. “We’ll need to keep it in the archives.”

She took the book with careful hands. It was warm again, even through her sleeves.

That night, she locked it in the back room, inside the metal cabinet reserved for rare and damaged items. She told herself this was enough. That stories, however strange, were only stories. However, warmth is patient.

Miriam began to notice patrons lingering longer in the back room when she fetched holds. Fingers brushing the shelves and their eyes unfocused. One man stood too close to the cabinet once, breathing shallowly, as if listening for something inside.

She moved the book again. Wrapped it in archival paper. Placed it in a locked drawer within the cabinet, but the warmth seeped through anyway.

Feeling almost haunted, she dreamed of pages turning themselves. Hands reaching out from margins, of a lighthouse whose beam swept not over water but over memories, illuminating moments she had buried. The arguments left unresolved, words unsaid and the particular way grief could feel like being watched. When she woke, her palms were warm. Miriam tried to research Arthur Bell, but records were scarce. His biography was thin, contradictory, and one note in an old newspaper mentioned that the final manuscript of The Long Watch had been unfinished at his death, discovered among his papers with “no clear ending.”

She checked the library copy.

There was now an ending.

The lighthouse keeper, aged and tired, stood before the light for the final time. The warmth was unbearable. The presence behind him no longer waited in shadow. It stepped forward, and the prose grew intimate, tender.

He understands now that someone must remain.

Miriam felt a pressure behind her eyes.

The final paragraph was written in a hand that felt uncomfortably close to her own thoughts.

The watch does not end. It is passed.

She closed the book slowly.

It was hotter than she could comfortably hold. She considered destroying it. Fire would do, she thought. Or water. She imagined the book sinking into the river, pages bloating, ink bleeding away. However, the warmth felt almost pleading now. Not malicious, no, not exactly. But lonely.

That night, the power went out at her apartment. Darkness pooled in corners. She lit a candle and sat at the table, the book between her hands.

Her mother’s voice came to her, not as sound, but as presence, familiar warmth. The ache of connection.

Miriam felt aggrieved and wept. Not loud but in silence. She let herself read—the final pages had expanded again.

They spoke not of the lighthouse keeper but of a woman in a quiet building full of books. A watcher. A caretaker, someone who noticed what others passed by. Someone who listened.

The warmth grew steady, no longer threatening, but expectant.

The next morning, Miriam returned The Long Watch to the history aisle.

She did not stamp it. Did not catalogue the changes. She slid it into place and stepped back.

A young man reached for it moments later, eyes widening at the touch.

Miriam watched him go, heart heavy and calm all at once.

At the end of her shift, she noticed something strange.

Her hands were no longer cold.

Over the weeks that followed, the library felt different to her. It felt fuller and charged. She sensed stories breathing behind their covers and seemingly waiting. She began to linger after hours, walking the aisles, touching spines, feeling warmth bloom and fade.

Sometimes, when she paused long enough, she felt memories stir hers, others indistinguishable and some human. She understood now.

The watch does not end. It is passed, and the last page, she learned, is always warm.

About the Author:

Khayelihle Benghu is an emerging author residing in Johannesburg, South Africa. Except writing she has a heart for photography, mainly nature.

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Tuberculus Mom

An Acorns Flash Fiction Feature

By: Mario Senzale

I was assigned to Brother Kartoffel right after growth season. Some got hunting. Others, construction. I got planting.

“You’re strong,” the elder said, looking me over. “Good build. You’ll do fine with the mothers.”

I knew what that meant. Everyone did. The rooting ceremony. The mothers go down, they feed the earth, the earth feeds them, and the young ones come up stout.

On the first day, Brother Kartoffel showed me how to dig the beds. Six feet down, four feet wide. The soil in the north fields is perfect for it—dark, moist, full of nutrients.

“Make it cozy, Brother Arnut” he said. “They’ll be here for a while.”

“How long?” I asked.

“Six months. Sometimes seven if the young one’s stubborn.”

We dug four beds that week. Sister Wortel, Sister Rote, Sister Ube, and Sister Neep. The ceremony was on Sunday. The whole commune came out. Drums, singings, the elders blessing the soil. Sister Ube went first. Six months along, her middle huge and low. She walked to the field wearing nothing. Smiling. Covered in compost and manure. The women had prepared her since dawn, layering her in the mixture. She spread her arms to the crowd.

“This is my gift. My body for the earth. My young one for the future.”

Everyone cheered. Brother Kartoffel and I helped her into the bed. She lay down, still smiling, hands on her swollen middle. The compost was packed around her, thick and warm. Her face was the last thing visible.

“See you at harvest,” she said.

We covered her. The soil went on easy, and the women sang. When we were done, Brother Kartoffel hammered the stake into the ground. “Sister Ube—3/17.”

Sister Wortel came after, followed by Sister Rote and Sister Neep. All of them smiling. All of them honored. The ceremonies were always the same. Joyful. At night there was a feast. The whole commune celebrated the new plantings. Brother Kartoffel got loose on Kombucha and told stories about harvests from when he was young.

“You’ll see, Brother Arnut,” he said, his arm around me. “When they come up, it’s magic. Magic. And we—we have the front seat.”

“What do they look like, Brother Kartoffel? What do they look like?”

“Reborn, Brother Arnut. Reborn.”

“And the young ones, Brother Kartoffel? The young ones?”

“You’ll see, Brother Arnut. You’ll see.” He smiled.

I went home late. The light was fading. I drank water, lots of it, and stood in my yard for a while, feeling the start of spring.

Three months in, the soil above the beds started swelling. Rising up like bread. Brother Kartoffel said that was normal. It meant the mothers were growing.

“The seedling feeds them through the cord. Gives them what they need to survive. Nutrients, minerals. Keeps them strong.”

“So they’re alive?”

“More than alive. They’re becoming!”

One morning I was checking the irrigation system and heard something coming from Sister Wortel’s bedding. A hum. Low and steady. I knelt down and pressed close to the soil. Slow and thick. A heartbeat.

“Beautiful, isn’t it?” Brother Kartoffel said behind me. I jumped.

“I was just—”

“It’s ok, Brother Arnut. I do it too. I like to check on them. Make sure they’re happy.”

He knelt down beside me and listened. The sun felt good. Necessary.

By month five, all four beds had swollen significantly. The ground was raised a foot. Maybe more. You could see the shape of the mothers underneath. Round. Dense. Like huge tubers pushing up from below. The commune was preparing for harvest. Building the platforms, sharpening the tools, organizing the feast. It was the biggest celebration of the year.

9/24. Harvest day. The whole commune gathered at dawn. Drums, singings, the elders blessing the tools. Brother Kartoffel and I started digging. Carefully. The soil came up easy, loose and rich.

“There she is!” Brother Kartoffel said, grinning.

 We dug around it carefully, exposing the shape. It was huge. Four feet across. We kept digging until we could see the whole thing. Sister Rote. Her body had fused into a single swollen mass. No arms, no legs. Just a thick, oval shape with her face barely visible on one end. The crowd cheered.

“She’s perfect!” A young girl yelled.

We used ropes to pull her up. It took six of us. She was heavy, dense as clay. When we finally got her to the surface, everyone pressed forward to see. Her skin had a waxy sheen. Her eyes were closed. Peaceful. Her mouth was slightly open, and you could see roots inside. Thin, white, threading through her teeth. She was breathing. Slow. Steady. The elder stepped forward and placed his hand on her.

“Sister Rote. Your becoming honors us!”

Then the skin split. Not violently. It just opened. Like a pod. The flesh peeling back in sections, revealing dark, rich soil inside. And in the center, wrapped in pale roots, something small. It was deep red, almost purple. Smooth. Round and tiny, with a face. Sleeping. Perfect. The elder lifted it out carefully. The roots detached with soft pops. He held it up to the crowd.

“Behold! New life!”

Everyone cheered. The young one opened its eyes. Magenta. Dark.

The thing that was Sister Rote lay on the platform, hollowed out. The elder nodded to us.

“Return her to the earth.”

We carried her back to the bed. Her body was lighter now, crumbling at the edges. We covered her up. Within minutes, she started to dissolve.

“She’ll feed us now,” Brother Kartoffel said. “One last time.”

We harvested the other three after that. Sister Wortel’s young one was a parsnip—pale and tapered, with a fierce little face. Brother Möhre had been expecting a carrot himself, but he held the baby parsnip with pride anyway. Sister Ube’s came out as a fingerling potato, long and knobby. Brother Kartoffel looked at the sky. “At least it’s starchy,” Brother Kand said. Sister Neep’s young one was the surprise. Wrinkly, brown, kind of hairy.

“A taro,” someone whispered.

Brother Rapa stared at the small child, its face already scrunching up, ready to cry its papery cry.

“My father will kill me,” he muttered.

At the feast, I sat next to Brother Kartoffel and watched the families with their new ones. The beet, the parsnip, the fingerling, the taro. They were already growing, little root-hairs searching for soil, faces turning toward the sun. Brother Möhre was teaching the parsnip to hold a spoon. Brother Rapa sat alone in the corner, the taro-child asleep in his arms.

“You did good, Brother Arnut,” Brother Kartoffel said. “You did good.”

“It wasn’t hard. Always a surprise.”

“I know, Brother Arnut. I know,” he replied, looking at the fingerling.

“Do they stay like that? The young ones?”

“For a while. Then they root somewhere, and a few years later, they’re like us. Walking. Talking. Strong.”

I looked across the field where the mothers had been returned to the soil.

“Next season, we plant six more,” Brother Kartoffel said. “You ready, Brother Arnut?”

I nodded. The drums started up again. The dancing. The celebration. And in the fields, the soil hummed softly. Waiting.

About the Author:

Mario Senzale is a South American writer and mathematician currently living in Indianapolis, Indiana.  Check out his work at mariosenzale.neocities.org, or follow him on BlueSky at @mariosenzale.bsky.social.

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Dragon Dancers

An Acorns Flash Fiction Feature

By: Karen McCullough

An hour before the start of the afternoon performance, Lia discovered Ocho was missing. The dragons had a back-up four-place dance in their repertoire, but none of them liked it. More participants produced better routines. And today’s shows had to be fabulous. Their survival depended on it.

She asked Doce about him as she prepared the banners.

“He heard a call.” The dragon stretched out his wings and dipped one toward her. Lia massaged the tissues between the long bones and Doce sighed. “If he doesn’t return in time, we’ll do the Quatrain.”

“He had to go now? How far?” She considered sending Doce after him, but when a dragon heard a call, the compulsion overrode most other considerations. No telling what might be the source. A mating call was the most common type, but the dragons’ emotional sensitivity meant Ocho could be responding to a cry for help or companionship, from others of his kind, from humans, or even less self-aware creatures. Cinco had once brought back three orphaned dragons. Of them, Doce and Quince had stayed with the troop while their brother went off to seek his own adventures.

Quince had twice issued mating calls herself and received plenty of attention, but so far no offspring had resulted. The troop needed more individuals. The five dragons did remarkable routines, but more participants could create yet more dramatic and spectacular aerial dances. With luck, Ocho would find others.

“He said he’d be back in time for the afternoon dance,” Doce said.

Lia rubbed her forehead. “He’d better be. This is the best booking we’ve had for months, and it’s only for two days.”

Doce lifted a shoulder in a dragon shrug.

She sometimes envied the dragons’ carefree attitude. Other times, like now, it annoyed her. Lia worried over everything—food, shelter, transportation, bookings, and the hundreds of other details of managing the shows and the dragons’ needs. The job had grown harder two months past, when her former partner told her he’d had enough, handed over the business, broke off their engagement, and disappeared into the morning mist, taking all their recent profits with him.

A man and child walked up, distracting her, and asked, “Are there still seats for the next show? I heard this morning’s was amazing.”

“There are.” She made out tickets for them. “Take these to the gate and please spread the word about tomorrows’ performances.”

The man hesitated. “Can I ask you about the dragons? How do you train them to dance so beautifully?”

“I don’t train them. I help them develop routines, but mostly they create their own, and they dance purely for the love of it. Some dragons are born to perform. They draw energy from the crowds that watch and cheer for them.”

“How do you find them or recruit them?”

She searched the horizons, hoping for a glimpse of Ocho. “They find me. They need a human partner to manage the practical details for them.”

“Why do you do it?”

“I—” No one had asked her that before and she had to think about it. “I love them, I guess. I have an affinity for them, and they seem to feel the same for me. I’m part of their world and love to watch them dance their joy.”

“Taking care of them and the shows must be a lot of work.”

“Organizing the shows can be hard. The dragons mostly take care of themselves. And sometimes they take care of me, too.”

“They do?”

“They’re very sensitive to emotions, human and dragon. They try to cheer me when I’m distraught and they protect against danger.”

He looked surprised, but the girl with him tugged on his arm and dragged him away.

She checked the time. Thirty minutes until the next show. The customer’s words reminded her what a stunning performance they’d put on that morning. In the sky overhead, the five dragons had looped and swirled graceful arabesques with sunlight glittering off their scales in cascades of green, blue, and silver. Children in the audience gaped in wonder, inspiring her to see it from their viewpoint. She took for granted the glorious spectacle of wings beating in rhythm: long slender bodies weaving fluid, twisting patterns; tails joining together or with their fellows’ heads to form ovals, stars, and florets; and the final eruption of the flame display. The dragons fed on the wonderment of their audience and elevated their performance.

She doubted this afternoon’s show would run so smoothly. Ocho was the oldest and most experienced of the crew. Without him the others might fumble their moves.

Everything could go sideways if he didn’t return before the next performance. A glance at the village clock tower showed twenty minutes remaining.

Her breath sped up. They needed another spectacular performance to ensure tomorrow’s crowd would be larger. Without Ocho, though…

Movement caught her eye off to the east. A cloud of dust approaching, possibly with a cart at its center. Above it, scales glinted in the sunlight. Dragons…Maybe three? Was that greenish-gold one Ocho?

After a quick debate, she went to the staging area and announced a short delay in getting started but promised the show would be worth the wait. Her identification had better be right.

The dragons arrived before the cart, with Ocho in the lead. She sighed with relief as she went to meet him and urged him to join the others in getting ready for the show.

“We will all join,” he announced. “This show will be the best.”

Surprise and doubt washed over her. She looked at the two new dragons “They don’t know the routines.”

“They do,” Ocho insisted. “I have demonstrated for them. And they will fit in. I’ll inform the others.”

She’d have to trust he knew what he was doing. Ocho generally did. But her nerves still jangled as she watched him fly off. Before she could hurry after him to the field, the cart arrived, driven by an attractive young man wearing a bashful look.

“You must be Lia,” he said. “Ocho told me to find you and offer my help. He heard a call from my dragons, but he said your heart had been calling, too, and I was the answer.”

“Not sure what that means,” she answered. “But the show’s about to get started and I can’t worry about it now.”

She heard him follow her to the field, but he waited at the side while she announced the introduction. The nervous lump in her throat made it harder to project, but she got through her spiel and cued the dragons to begin. The newcomer joined her once she moved aside while the dragons glided onto the field, one after the other, in a rippling ribbon of graceful curves and glittering scales.

She held her breath as they rose into the air and began weaving the complex tapestry of fluctuating formations. Moments later she released the air on a gasp. Ocho hadn’t exaggerated. The newcomers fit themselves into the routines perfectly, the larger number making their flowing spirals and whirling pirouettes yet more spectacular.

The young man next to her jerked in a sharp breath and let it out slowly. “They’re beautiful. It’s amazing. I didn’t know they could do this.”

“They are. Ocho was right about them fitting in. He’s right about a lot of things.”

The dragons launched into their fiery concluding routine, emitting undulating, interweaving, and brilliantly colored columns of flame high above, drawing thunderous applause from the crowd.

The young man’s eyes lit as he stared at her. He leaned closer to make himself heard over the noise. “I’m Geoffrey, by the way, and this is the most amazing day of my life. I hope you’ll let me join your troupe along with my dragons.”

“I don’t think I could stop you.” She smiled at him, eyeing his broad shoulders, slender waist, and pleasant features. “I don’t think I want to.”

About the Author:

Karen McCullough is the author of more than two dozen published novels and novellas in the mystery, romance, suspense, and fantasy genres, including the Market Center Mysteries Series and three books in the No Brides Club series. A member of Mystery Writers of America, Sisters in Crime, and the Short Mystery Fiction Society, she is also a past president of the Southeast chapter of Mystery Writers of America and served on the MWA national board as well as the boards of two Romance Writers of America chapters. Karen has won numerous awards, including the 2021 Bould Awards for flash fiction, an Epic Ebook Award for fantasy, and has also been a finalist in the Daphne, Prism, Dream Realm, International Digital, Lories, and Vixen Award contests. Her short fiction has appeared in a wide variety of anthologies. More information is available at her website: https://www.kmccullough.com.

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Services Rendered

An Acorns Flash Fiction Feature

By: Ed Ahern

It was no one’s fault, really. Jason, a high-functioning ghoul, was working at the plant that produced hydrophilic acrylic eye lenses for cataract surgery, night shift naturally. It was a batch production process, sealed off immediately after the raw materials were measured in and mixed. There was the rub.

Jason wore latex gloves, a hair covering, and a mask that covered his nose and mouth. But Jason was a perspirer, and the mixing area wasn’t airconditioned. A drop of his sweat fell into the mix as he was pouring. It was, for better or worse, just enough.

The high temperature process drove off the water, but left behind a chemical essence that altered the optical properties of one of the lenses. Someone’s vision was about to be too clear.

Seymour Phillup had postponed his cataract operations until his view of the world came with fuzz. With the exception of tonsil removal, he’d successfully avoided surgery of any sort until he was fifty-five, and viewed surgeons as dissectors. He finally opted for a woman doctor in the vague hope that she had more delicate hands.

The right eye operation went without incident, except that he noticed that people were a good deal uglier than he remembered. The left eye, however, the sinister one, was installed with an unwanted upgrade. Everything seemed all right immediately post operation, good clarity, no infection. Until a nurse came in and he thrashed, then screamed.

“Get away from me!”

The nurse rushed to the bed to restrain him, and Seymour went fetal, arms and legs trying to tuck into his considerable belly. “Mr. Phillup, calm yourself, there’s nothing wrong.”

Except there was. Seymour had a double vision, his right eye showing a middle-aged beefy woman in scrubs and his left a hairy incisor-toothed humanoid, also in scrubs. The combined vision hurt to look at, and he felt a stab in his forehead, the start of a migraine.

He reflexively closed his left eye and the nondescript nurse was in his face asking what was wrong and checking readings. He peeked out of his left eye, saw fur, and slammed it shut again.

She eventually left and he cautiously unsquinted his left eye, then closed his right eye and again surveyed the room. Boringly plain and undecorated, just like the hospital administration had intended. Seymour wondered if the anesthetic had hallucinogenic properties, then wondered if maybe he could sue for malpractice. After all he was a lawyer.

But everyone else during his stay was unprepossessing, that is, normally homely. His doctor, Simplicity Sinclair, cleared him, the staff handed him a half pound of paperwork, and Seymour went outside to wait for his Uber.

His driver, an Armenian named Armen, wasn’t talkative, so Seymour idly voyeured into the side windows of cars in the right-hand lane. And almost peed himself. About every twentieth car had a driver who was grossly abnormal. Hairy or corpse pale or horned or hideously deformed. Once over his shock, Seymour studied their faces like he would a jury pool. Under their monstrous appearance, they all had that stoic resignation of beings who’d left a job they didn’t like for a commute they hated to a home they weren’t sure was worth the effort. Just like Seymour.

One of the drivers, though, a man with a thoroughly scarred face and a pig snout noticed Seymour noticing and glared back. Mr. Porcine then slowed his car and dropped behind Seymour’s Uber.

Once home, Seymour turned on his cable TV, more than a little afraid that some of his favorite actors would be monstrosities. But, maybe because of camera filtering, everyone looked normal. Not so the next day in his group practice.

Seymour was a confirmed bachelor, but his favorite fellow lawyer was Gwendolyn Kruste, an acerbic woman with his sense of suspicion about everyone’s motives. When Gwendolyn walked into his office he almost ran out of it. Gwendolyn had the spike haired stems of an arachnid, and a face with mandibles.

“Ah, ah, Gwen, urgent bathroom call. Probably something they gave me at the hospital.” He dashed out and went into a stall in the restroom, sitting on the throne without dropping his pants and trying to make sense of his life descending into one of Dante’s levels of hell.

Gwendolyn and he worked on too many cases together for him to avoid her, so Seymour cinched up his resolve and went into her office, trying to remain calm as they talked about upcoming trials. She noticed his anxiety and asked if he was feeling sick.

Seymour went home early. He was able to return to the office only because, as a defense attorney, he was accustomed to working with human dregs. But he never got over his apprehension, and discovered (on Amazon, God bless them) that he could buy apparently clear glasses with a left lens that blocked incoming light. He wore them constantly but still out of the corners of his vision or in glassless moments was shocked by the apparitions occasionally around him. Such horror story beings shouldn’t be in this world.

Eventually the objects of his revulsion noticed it. One dark winter evening Seymour returned home, entered his house, took off his glasses and was slammed against a wall by a pig-faced hulk who looked like the driver he’d seen three months earlier.

“It’s not your fault, but I need to kill you.”

The beast was about the size of a small boar, perhaps 350 pounds, and Seymour, who barely knew how to make a proper fist, also knew he had no chance to defend himself by fighting.

“Wait, please, before you commit my murder, at least tell me how it can be that so many of you exist and we never see you?”

“Ah. We’ve always had the ability to shield our true natures from you, but until Cagliostro it was of uneven quality and your kind were killing us off with gusto. Cagliostro, a great alchemist of the 1700s, was able to devise a medication that more thoroughly hides us. We’re almost never spotted now.

“So you see, even though blameless, we can’t allow you to reveal our presence and put us at risk. I’m sorry. Now I have a question. How is it that you can suddenly see us?”

Fear flushed through Seymour’s body. Then his training took over. He was pretty sure if he admitted the truth about his left eye lens, the eye would be gouged out and he’d be killed anyway. “I have no idea, but I’ve been really sick lately, with a high fever.” His lie was fluid, his body language sincere. “It’s probably a temporary aberration.”

Seymour hurriedly continued. “With so many different species, there must be serious disagreements between the kinds.”

“Of course, blood feuds even.”

“And if you do decide to settle differences, it must be hard to find an impartial judge, since he, she or it will always belong to one of the kinds.”

The porcine man tightened his hold. “Naturally, what’s your point?”

“What if I wasn’t a liability but an asset for you all?”

There was a wrinkle-snouted scowl. “What are you saying?”

“I’m a lawyer with extensive experience in both civil and criminal cases. You can verify that. What if I was to become your judge, or better still, your arbitrator. I’m not a member of any of your species and I don’t personally know anyone. I can make impartial judgements. The parties involved can split my fee so there’s no suggestion of collusion. Isn’t that worth considering?”

“But what about if you accidentally disclose something?”

“I can recant it or claim temporary insanity. At that point I’m beholden to you all for my livelihood and not likely to reveal anything.”

More wrinkles furrowed the massive brow. The sort-of-swine eased his hold, letting Seymour’s heels retouch the floor. “You may have value. May. We’ll discuss it. If we decline, I’ll make sure your death is quick.”

With quick movements that belied his size, the beast was gone. Seymour, who rarely drank, poured himself one. But just one. Then he made some preparations. Sealed notes were provided to three agencies, to be opened in the event of his death by accident or violence. Each of them specified that the lens of his left eye should be removed and used to view an auditorium full of unsuspecting people. Just a little no-fault insurance, he thought.

Then he drafted a rate schedule, adjusted to the severity of the offenses. After all, he thought, if they don’t still kill me their first question will be what will it cost.

About the Author:

Ed Ahern resumed writing after forty odd years in foreign intelligence and international sales. He’s had over 600 stories and poems published so far, and twelve books. Ed works the other side of writing at Bewildering Stories where he squats on the review board, and at Scribes Micro where he is the idle figurehead.

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The Chicken House

An Acorns Flash Fiction Feature

By: Fija Callaghan

Old Mrs Iles first came across the house when she was out gathering moss to line her garden stones. Her own home had been awfully quiet since Mr Iles ran off with New Mrs Iles, and so Old Mrs Iles often went for walks in the woods behind the property.

The forest was a bright young thing, all adolescent saplings spaced a respectable distance apart so they could grow big and strong. Even the brambles and ivy behaved themselves, most of the time. So when Old Mrs Iles discovered a ramshackle stone cottage not much bigger than a garden shed, with a pair of scaly chicken feet sticking out from underneath, the most reasonable thing seemed to be to go inside and see what it was about.

The house seemed bigger on the inside than it did on the outside, but not much bigger, not like a magic trick. Just big enough to while away a pleasant afternoon. There was a cold woodstove and a kettle, a small table with two off-kilter chairs, a lumpy mat piled high with blankets, a narrow broom cupboard propped against one side, and a dusty, meaty smell like someone had eaten stew there a long time ago. Old Mrs Iles thought that actually, it was quite homey. So she did a little dusting and cleaned off the single windowpane so she could see outside.

By the time night fell, nobody had returned to the house. So Old Mrs Iles thought oh well, I’ll just rest for a few minutes. The truth was, she still wasn’t used to coming home to a place that didn’t have Mr Iles in it.

Old Mrs Iles lit a fire in the woodstove, laid down on the lumpy mat, and was out like a light.

When she woke she wasn’t sure where she was, but she knew the air was salty and sweet, and she was more well rested than she’d been in a long time. She could hear gulls crying. Outside the window was a broad, sparkling expanse of bright blue sea.

Her heart swelled with longing and joy. She hadn’t seen the sea in more than fifty years.

A quick look in the broom cupboard revealed a neatly folded fishing net. Old Mrs Iles took it outside to catch some fish for her breakfast. She stood right in the water in her bare feet, with her trousers rolled up to her knees, and laughed like she was a young girl.

That night she lay down in the little house again and wondered how her garden was faring. But that made her think about Mr Iles, and some of the day’s happiness went from her. She dispatched the cumbersome thought by promptly falling asleep.

The next morning when Old Mrs Iles looked out the window, the world was carpeted by powder-blue and violet bluebells. Gentle, gnarled garry oaks stood watch between moss-covered stones. It reminded her of the place she used to go for picnics with Patrick, the first boy she’d ever loved. Her mother hadn’t approved of her marrying a penniless painter, and so the two of them had to meet in secret.

Old Mrs Iles stepped outside and let the fresh, cool blooms brush up against her ankles, and felt like she’d come home.

When Old Mrs Iles built up a fire in the woodstove that evening, and warmed her old bones, she remembered the day her mother had introduced her to Mr Iles and said isn’t he such a nice young man. And he had been nice to her, or at least companionable, up until the end.

Old Mrs Iles fell asleep to the sound of wind rustling the oak leaves.

The next morning, the house rested at the foot of a deserted cobblestone street. The sun was just beginning to peek out over the rooftops, and a smell of freshly baked bread drifted lazily through the air. It looked a bit like the village she and Mr Iles had visited once on holiday. She’d been too nervous and distracted to enjoy it, gathering her courage to tell Mr Iles what the doctor had said—about how having children would never be possible for her. Not without an expensive medical treatment. It was in the village square, beside a bubbling fountain surrounded by life, that Mr Iles told her he loved her for the last time.

Old Mrs Iles bought a croissant with jam for her breakfast and walked along the charming passageways, peering in windows at colourful and exotic treasures. A gentleman tipped his hat to her as she went by.

Her feet seemed to know their way, and Old Mrs Iles found herself at the village square. The fountain was gurgling contentedly, and an artist had set up an easel nearby. A tourist posed in soft the morning light while he painted their portrait. Old Mrs Iles closed her eyes and lifted her face to the sun. There was a feeling of life and effervescent happiness all around.

Then someone said her name.

Her eyes snapped open. There, standing at the easel, was Patrick—a little stouter, a little greyer, but no less handsome. Old Mrs Iles touched her own grey curls self-consciously.

With a few more brushstrokes—Old Mrs Iles couldn’t see the canvas, which had its back to her—he pronounced the painting complete and handed it to the happy tourist. Then he came and sat by Old Mrs Iles at the fountain.

When at last they spoke, it was easy, as if they’d seen each other only yesterday. He told her of his travels through Italy and France, painting souvenir portraits for the wealthy; she told him about Mr Iles and New Mrs Iles and the garden at home, which wasn’t large, but was delightfully fragrant on summer mornings. No matter how long they talked, there was always more to say. There was a whole lifetime.

Finally, Old Mrs Iles said, “Patrick, would you like a cup of tea?”

And he said that sounded like a fine idea. So they left the square and wandered back to the little house at the bottom of the cobblestone street. Old Mrs Iles couldn’t wait to see where it took them next.

About the Author:

Fija Callaghan is a storyteller and poet who has been recognised by a number of awards, including winning the SFPA Poetry Prize in 2024 and shortlisting for the HG Wells Short Story Prize in 2021. Her writing can be found in venues like Seaside Gothic, Gingerbread House, Howl: New Irish Writing, and elsewhere. Her debut collection, Frail Little Embers, was released by Neem Tree Press in 2025. You can find out more about her at www.fijacallaghan.com