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The Hollow in the Hedgerow

An Acorns Flash Fiction Feature

By: Subham Rai

Greta walked the hedgerow every morning for forty-three years, ever since Tom built their cottage on this quiet patch of land. The hedge stood older than either of them, a dense weave of hawthorn and blackthorn laced with ivy that held fast like lingering memories. It separated their small world from the open fields, a barrier that flowered white in spring and bore red berries in fall.

Lately she moved more slowly. Her knees complained on the uneven path, and the basket on her arm dragged even when empty. Tom had left her three winters past, claimed by a chill that took root in his lungs and would not let go. The cottage felt too still without his low songs while he fixed tools or tended the stove. She missed the way he paused to listen to birds or comment on the weather, his voice a steady comfort through the days.

One morning mist drifted close to the ground, turning the fields to soft grays and faded greens. Greta stopped where the hedgerow curved into a low arch she had always called the gateway. A shadow among the roots drew her gaze, a dip in the soil that formed a small hollow no larger than a rabbit burrow.

She knelt, joints protesting, and swept aside fallen leaves. The opening ran deeper than expected, a smooth passage edged with roots that caught the faint light. A cool draft rose from it, scented with earth and a trace of apple blossom though no trees bloomed nearby.

Greta paused. At seventy-two, new wonders should have lost their pull. Yet the hollow waited, steady as the hedge around it. She wondered if loss had sharpened her sight for what lay just beyond the ordinary.

She reached inside. Her fingers brushed cool space, then cloth. She pulled out a small handkerchief, faded but marked with stitches she remembered making: T & G, hearts linked. Tom’s gift on their wedding day, misplaced long ago during a picnic beneath these branches. She turned it over in her hands, tracing the careful embroidery that had survived untouched by time.

Her breath shortened. The fabric lay fresh and whole, as if the years had passed it by.

“Greta.”

The name came soft on the draft from below. Tom’s voice, rough yet kind as ever.

She held the handkerchief close. “Tom?”

Silence answered, broken only by leaves stirring overhead. Still, the hollow appeared wider now, almost welcoming. She leaned nearer, drawn by a gentle glow rising within, not daylight but something calmer. Pictures formed like scenes on quiet water: Tom young and smiling, lifting her among apple boughs on their wedding day; Tom older, showing their daughter how to set seeds in rows, his patient hands guiding her small ones; Tom near the end, gripping her hand as snow gathered at the window, his eyes steady even as strength faded.

These were more than recollections. They carried sharp detail. She smelled crushed grass from that distant picnic, felt the heat of his hand in hers, heard the laughter of their daughter echoing through the years.

The hollow returned their shared years to her, moment by moment. Greta lingered there that first day until her knees throbbed and the light shifted. She saw their life unfold in pieces: delight at their daughter’s arrival in a rush of spring rain; sorrow when she left for the city, waving from the bus with promises to write; the steady kindnesses that shaped four decades into something solid, like the way Tom always saved the best apple for her or mended her favorite shawl without being asked.

Certain scenes stung. Disputes over scarce coins during hard winters, quiet stretches after their daughter moved away, the gradual fading of Tom’s vigor as illness crept in. Yet love ran beneath every ache, a quiet current that held them together.

As evening settled and mist rose higher, Greta drew back her hand. The pictures dimmed, but the handkerchief stayed warm against her skin. She folded it carefully and tucked it into her pocket, rising with effort to continue her walk. The fields seemed a little less empty that day.

She came again the next day, and the day after. The hollow never spoke, yet it seemed to hear her. She told it of the vacant chair at meals, the garden Tom once kept neat with rows straight as his carpenter’s lines, the long stretch of nights when sleep came slow. She spoke of small things too: how she still set two cups for tea out of habit, or found his old jacket hanging in the shed and pressed her face into the fabric to catch any remaining scent of him.

One morning clouds promised rain. Wind shook the hedge, scattering early leaves, and Greta carried her shawl along with a tin of Tom’s plain biscuits, edged dark as he preferred. She settled near the hollow, knees folded beneath her, and shared one biscuit with the draft rising from below.

The hollow waited. This time it offered fresh images: herself over the past three years. Greta alone in the cottage, working the garden by habit with hands that moved slower each season. Greta by the fire, speaking to no one as flames crackled. Greta tracing the hedgerow each dawn, seeking what she could not name in the familiar paths.

She saw herself grow spare and silent. Saw the spark fade from her own eyes, replaced by a dull patience that carried her through days.

Tears welled, sudden and warm. “I don’t know how to manage without you,” she murmured into the opening, voice breaking on the words she had never said aloud before.

The cool draft lifted once more, scented with apple blossom though winter neared. No voice replied, only quiet acceptance. The scenes turned to their beginning days: Tom guiding her to plant potatoes, both laughing when she set them too deep and had to dig them up again. Tom raising the cottage stone by stone on weekends, vowing a home to endure beyond them while she brought him water and watched with pride.

The hollow reminded her what endured: the garden pushing through soil each spring, the cottage standing firm against wind and weather, her hands yet able to care for both. She saw flashes of future seasons too, brief and gentle: bulbs blooming where she planted them, neighbors stopping by with shared meals, quiet evenings by the fire with memories no longer sharp but softened like well-worn cloth.

When she rose at last, legs stiff from kneeling, rain had begun, a gentle fall that brightened the hedge and washed the paths clean. Greta slipped the handkerchief into her pocket. It rested lighter there, as if some burden had lifted.

She did not seek the hollow daily afterward. Some mornings she turned soil and set bulbs for spring, hands steady in familiar work. Others she baked proper biscuits and carried them to neighbors who had lost partners of their own, listening to their stories in return. She found comfort in small routines, in watching seasons turn as they always had.

The hollow stayed beneath the hedgerow, patient as ever. When loneliness pressed sharp on quiet evenings, she returned. It offered no judgment, only fragments of their life together, showing her that love does not vanish. It sinks into roots and waits for the proper season to rise again, in new growth or shared remembrance.

Years on, when Greta’s hands stiffened too much for garden work, she often sat beside the hedge with a cup of tea, watching light shift through leaves. Children from nearby farms sometimes found her there, sharing tales of the old woman who spoke to the plants and seemed to know secrets of the land.

They never noticed the hollow. Yet on misty mornings as they passed, they caught the scent of apple blossom out of season and felt, for an instant, wholly known. Greta smiled at their wonder, remembering how such small gifts had carried her through long seasons of loss. The hedge stood as it always had, a quiet guardian between worlds, holding memories for those who needed them most.

About the Author:

Subham Rai is a writer from Kolkata, India. His work has appeared in Strange Horizons, Macramé Literary Journal, Cohesion Press, Zoetic Press, Bindweed Magazine, Graveside Press, Horror Tree, and Consequence Forum. Forthcoming pieces will appear in DreamSpinner Press, Dead Fox Publishing, Cupid Arrow Publishing, Cliffhanger Magazine, Plotthound Magazine, and Vellum Mortis. He can be found online at https://linktr.ee/subhamraiauthor.

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From the Editor’s Desk

Reading a book in front of a campfire, with a pine tree line and sunset in the background

As we come into spring and the blossom of seasonal allergies and bug bites, I’ll be spending the newly bright, warm weather reflecting on coziness.

We aren’t a “beach reads” sort of publishing house, but I think the beach can get whatever read you want to give it, so take that, summer. I’m not exactly Morticia on vacation over here, but to be totally transparent (much like my skin in July thanks to my SPF 1000), I’m not really a summer person. I love a fluffy blanket, a hot drink, and dim lighting, and all of that is tough to enjoy during the season of sweat and blinding sun.

But our next anthology, The Ordinary Magic in Extraordinary Tales, is all about coziness. Our official release date is TBD, but it’ll be just as the leaves burn orange in cool sunlight, the breeze nips your skin, and the nights get just a little bit longer. We have fourteen cozy fantasy stories for you, each more delightful than the last. They’ll be grouped thematically and paired with essays written by yours truly on how to curate a cozy life for yourself, full of conviviality and contentment.

If you didn’t know, I have a graduate degree in educational psychology and a decades-long background in recovery-based mental health. This book is a real passion project for me that combines two areas of great interest.

Let’s be real, though. All of our books are like that. I love them all—this one’s just a different type of intersection for me.

If you aren’t familiar with the cozy subgenres, the concept is a smaller cast of characters, and a more upbeat and optimistic tone. The plots have action, adventure, and emotion, but they’re lower stakes that are more about interpersonal relationships and personal development rather than world-ending issues.

Anyway, the stories have been chosen and we’re working on finalizing the last of the contracts with our authors, as well as on the details of the book. I can’t wait to get these tales out to you. There’s a wonderful mix of fantasy elements across the stories, including witchy tales, dragon tales, and ghost stories. We have modern day magic, second-world mysticism, and post-apocalyptic settings.   

Choosing the final stories for the book was really difficult, and the overall quality and quantity of submissions this time really blew me away. I had to reject some that I loved out of considerations like physical layout space and theme. It’s such an honor to attract so many talented authors willing to trust us with their work, and it allows us to build out our concept in the best, most complete way that we can.

Next up, we’ll be finalizing the cover and the essays, then the book will go to our amazing and talented layout editor, Austin Gray.

In the meanwhile, I’ll be doing a lot of reflecting on how coziness is a mindset, and how we can always make the choice to live a life of simple pleasures and contended relationships. Even while swatting mosquitos in the dead of summer.

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9 Questions for Ellis Reyn

We caught up with Ellis, author of the delightfully unsettling story “Pink,” from our debut project The Wordsmiths.

Ellis: I’m Ellis Reyn, a thirty-something novelist. Enneagram 5, Capricorn, eldest daughter, cat person. My novel-length work sits somewhere between romantic thriller and literary fiction—stories about complicated women, the ways they survive things they probably shouldn’t, and how they find love with green-flag men along the way.

I live in North Carolina with my husband, a cat unironically named “Cat,” and our four kids, which means my life alternates between writing very dark things and packing school lunches.

Ellis: I write in the little pockets of the day. Right before appointments from the passenger seat of the car, late at night when the kids are finally in bed, or during rare quiet mornings when the house miraculously empties out.

I’ve learned that butt-in-the-chair time is the most important thing. Tiny progress is still progress.

Ellis: I have a desk under a huge window that looks out over the woods. That’s where serious writing happens. But in reality, I usually write in bed with my laptop balanced on a pillow (RIP my upper back). Wherever I can get words on the page is the perfect writing space.

Ellis: When I was a kid, I wrote a short story from the perspective of a horse during the Gold Rush. I printed it out, stapled it together, and put it in my dad’s lunch box so he could read it during his break at work.

He did read it—and I’ve felt like my dad was my biggest fan ever since.

Ellis: I’m working on a contemporary romantic thriller set in the Mojave Desert about a beautiful rehabilitation center. Think cult-adjacent wellness, tiny smoothies served at an all-day health-food buffet, a lot of white linen and patchouli… and body horror.

I’m also on submission with a Southern Gothic. So please send me all the good publishing vibes!

Ellis: As much as I can!

My TBR pile is always slightly out of control with lots of horror (especially women-written) and historical romance. They’re genres that feel different but are both excellent at exploring big emotions.

Right now I’m reading Black Sheep by Rachel Harrison. I can’t recommend her horror enough! I’m catching up on Alexandra Vasti’s historical romance backlist next. 

Ellis: The uncertainty. Writing a book (and then trying to publish it, my goodness) takes a long time, and a lot of that time is spent alone with your doubts.

The best thing I’ve found to do is to keep going. Write the next page, revise the chapter, start the next idea. Do the next right thing. 

Ellis: With four kids, there’s always something happening around here. Apart from endless school pickups and drop-offs, I read a lot, sweat through Pilates and hot yoga, hunt down good strawberry matcha with friends, and rewatch the same comfort shows while folding laundry. The usual!

Ellis: You can find me online at: Instagram: @ellisreynbooks

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Live-Journaling

An Acorns Flash Fiction Feature

By: Karl El-Koura

Thank you for joining me on this live read-through of what’s supposed to be the greatest horror novel ever written. The book is claimed to actually be haunted by readers with overactive imaginations. On Goodreads the reviews spend more time chronicling people’s paranormal experiences than discussing the novel’s literary merits. The Amazon reviews are a series of warnings to read the whole thing in daylight and surrounded by friendly people.

So consider yourself warned, especially if you’re on your own at night! (With apologies for spoiling anyone’s fun, though, I don’t believe a word of those “experiences.”)


I stand by what I said, but boy do our minds play tricks on us! Especially in the dark.

I’m in my office, sitting in my most comfortable chair and sending these notes from my phone as I read through the book—yes, to all the fifteen people actively watching this thread right now. My wife and kids are asleep upstairs. No one else is in the house. But, just as the main character catches a glimpse of the dark creature crawling across the ceiling of his bedroom, I heard something in our basement. Thought I heard something.

It’s kind of funny, really.


I heard it again, just as the main character goes for a midnight run.

For the record: no one else is in our house. I went downstairs; I turned on all the lights. Just to be sure, right? No one is there. Obviously the novel’s bleak atmosphere is seeping into my mind! What possessed me to start reading this book so late at night?

Well, if you believe the people on Goodreads—and I don’t!—the only way to exorcise whatever has come into your house is to finish reading the novel.


I was convinced the reviews were fake, everyone’s tongue planted in their cheek. But I’ve been hearing the noises in the basement again. They started up as soon as I came back to my office and sat down. Someone’s walking around in my basement, trying to be quiet about it, but I can hear the footsteps.


I skipped ahead, to the last paragraph—he finally decides to seek help for his addiction to amphetamines, which of course is what is causing his insomnia. The sun rises over the hospital as he checks himself in. I skipped ahead, thinking I’d…stop hearing things. I’ve read the final paragraph twice. The first time I heard a creak on the stairs…I know it’s a step mid-way up the stairs that creaks. The second time I heard nothing for a while, and thought everything was fine and started laughing at myself, then I heard it—the sound of weight on the top landing, where the carpet gives way to tile. The reviews don’t tell you this, because they’re not real—most of them, I mean. But: you can’t skip ahead.


I’m typing into my phone whenever I feel myself getting tired. It helps me stay focused. Alert. I’ve read as quickly as I can, but I can’t finish, can’t finish before it reaches me, whatever has come up from my basement and is now slinking toward my office.

I’m going out to face it.


There’s nothing there. I’ve turned on all the lights on the main floor, all the lights in the basement. I’ve left everything on. Should I wake up Maisy? But she’ll laugh at me. Deep breath—I am being crazy, though. There’s nothing there!


Heard the footstep—just outside my office. I’m so tired—but I can’t go to sleep. I have to keep reading to the end.


The door to my office is open. I should’ve closed it—but, no, I couldn’t do that! Close myself in. But I can feel it, sense it—I’ve felt it for the last page or two, standing there, watching me. I don’t want to glance over; I think I know what I’ll see. I want to finish reading this book.


I’ve caught myself trying to fall asleep. My eyes having a mind of their own, trying to trick me into giving them what they want.


I saw it. I couldn’t take it anymore, not knowing—I looked over, and it retreated, but not before I glimpsed its light-sucking voidness. Like looking into a hole in reality. It’s the Netherwere from the novel, the shadow-creature that wants to take over the main character’s body and life. I saw it.


What does it want? It wants me to fall asleep. Like the Netherwere in the novel, its power is greatest in the liminal state between wakefulness and sleep. Only in that moment—in the novel, I mean—can it leap forward and inhabit you, evicting you from your own body, taking over your life, turning you into a Netherwere to seek out your own tired victim. It stalks our hero but never gets him, because he doesn’t fall asleep—at least, not until he checks himself in.

People…it can’t stand other people. I should wake up Maisy. It’s a small price to pay, being laughed at, isn’t it?

But if I can just power through to the end of the book, I won’t have to explain why I woke her up in the middle of the night like a frightened child. I can make it.


Caught myself again, drifting off. Can’t let that happen.


Well—I hope I didn’t pull your leg too long. There is no such thing as Netherweres, and they can’t enter our world seeking bodies for themselves.

No, the claims of this book being haunted, or being a conduit to another reality, are not true, of course. It’s a very good book.

You should read it for yourself.

About the Author:

Karl El-Koura lives with his family in Ottawa, Canada’s capital city, and works a regular job by day while writing fiction at night. To find out more about Karl, visit his website at ootersplace.com.

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The Last Page is Always Warm

An Acorns Flash Fiction Feature

By: Khayelihle Benghu

The Last Page Is Always Warm

The first time Miriam noticed the warmth, she thought it was the radiator.

It was early October, in the late hours of the afternoon, when the library grew hollow and echoing. The old pipes beneath the floor ticked and complained like tired bones. She had been re-shelving returns in the history aisle where the spines were old and some darker, the fonts more ancient. When she pulled a paperback from the drop cart, she felt heat against her palm, not body heat, no, not quite.

The book was warm the way a mug might be warm long after the tea inside has gone cold.

She held it there, confused, before checking the cover.

The Long Watch, by Arthur Bell. No dust jacket and slight curl at the corners. The library stamp inside was faded, as if impressed decades ago. She pressed her thumb to the pages and found them still warm.

Miriam looked around, half-expecting a prank, but the aisle was empty. The overhead lights hummed and the windows showed only her own reflection, thin and pale, framed by shelves.

She set the book aside and finished her shift.

The book must have embedded into her subconscious. That night, she dreamed that inside the library, the pages were live and they scanned her fingerprint.

The next afternoon, the book was back in the returns cart.

Miriam frowned. She was meticulous, had always been. She remembered placing The Long Watch on the shelf between two anthologies. However, here it was again, spine scuffed, pages faintly warm.

This time, curiosity overcame her caution. She slipped it into her bag at the end of the day and checked it out under her own name.

At home, she placed it on the kitchen table and let it sit while she made soup. The steam rose and the windows fogged. Still, when she returned and touched the book, it was warm in a way that did not belong to rooms or weather.

She opened to the first page.

The prose was spare, almost old-fashioned. A man standing watch in a lighthouse and the sea restless. The isolation familiar, Miriam read a few pages and then paused.

There was a line she did not remember from the first paragraph.

He thinks of the sound his wife made when she slipped on the rocks.

Miriam read it again and her throat tightened, becoming dry as if something was lodged inside it.

Arthur Bell’s wife had died that way. It was a minor detail mentioned in an obituary she had read years ago when cataloguing local authors. A coincidence, she told herself. Writers borrowed from life all the time.

She turned another page. The book was warmer now.

Miriam began to notice changes, sentences shifting and details deepening. Passages that felt less written than remembered. The lighthouse keeper began to think thoughts Miriam herself had once tried to forget: the hospital room with its too-clean smell, the way her mother’s hand had gone slack mid-squeeze, the silence afterward that felt heavier than grief.

She closed the book, her heart racing.

The warmth lingered on her fingertips.

For two days, she avoided it. She returned to work, catalogued donations, and answered patron questions. Almost pretended not to notice how often people paused in the history aisle, touching spines as if testing with their fingers.

On the third night, she opened the book again.

This time, the lighthouse keeper was no longer alone.

There was someone standing just beyond the reach of the light. Someone familiar, maybe someone he loved and had lost. The prose did not describe the face directly, but Miriam knew it anyway.

Her mother’s face, as it had been before the illness. Miriam slammed the book shut.

The cover was hot now –unmistakably so. She dropped it onto the table, breath shallow and pulse loud in her ears. She did not sleep that night. The following week, a patron approached the desk holding The Long Watch.

“Excuse me,” the woman said, eyes twinkling. “Is this new?”

Miriam stared. “No,” she said too quickly. “It’s old stock.”

“It feels alive,” the woman whispered, almost apologetically. “I’ve never read anything like it.”

Miriam swallowed hard. “I’m afraid it’s… fragile,” she said. “We’ll need to keep it in the archives.”

She took the book with careful hands. It was warm again, even through her sleeves.

That night, she locked it in the back room, inside the metal cabinet reserved for rare and damaged items. She told herself this was enough. That stories, however strange, were only stories. However, warmth is patient.

Miriam began to notice patrons lingering longer in the back room when she fetched holds. Fingers brushing the shelves and their eyes unfocused. One man stood too close to the cabinet once, breathing shallowly, as if listening for something inside.

She moved the book again. Wrapped it in archival paper. Placed it in a locked drawer within the cabinet, but the warmth seeped through anyway.

Feeling almost haunted, she dreamed of pages turning themselves. Hands reaching out from margins, of a lighthouse whose beam swept not over water but over memories, illuminating moments she had buried. The arguments left unresolved, words unsaid and the particular way grief could feel like being watched. When she woke, her palms were warm. Miriam tried to research Arthur Bell, but records were scarce. His biography was thin, contradictory, and one note in an old newspaper mentioned that the final manuscript of The Long Watch had been unfinished at his death, discovered among his papers with “no clear ending.”

She checked the library copy.

There was now an ending.

The lighthouse keeper, aged and tired, stood before the light for the final time. The warmth was unbearable. The presence behind him no longer waited in shadow. It stepped forward, and the prose grew intimate, tender.

He understands now that someone must remain.

Miriam felt a pressure behind her eyes.

The final paragraph was written in a hand that felt uncomfortably close to her own thoughts.

The watch does not end. It is passed.

She closed the book slowly.

It was hotter than she could comfortably hold. She considered destroying it. Fire would do, she thought. Or water. She imagined the book sinking into the river, pages bloating, ink bleeding away. However, the warmth felt almost pleading now. Not malicious, no, not exactly. But lonely.

That night, the power went out at her apartment. Darkness pooled in corners. She lit a candle and sat at the table, the book between her hands.

Her mother’s voice came to her, not as sound, but as presence, familiar warmth. The ache of connection.

Miriam felt aggrieved and wept. Not loud but in silence. She let herself read—the final pages had expanded again.

They spoke not of the lighthouse keeper but of a woman in a quiet building full of books. A watcher. A caretaker, someone who noticed what others passed by. Someone who listened.

The warmth grew steady, no longer threatening, but expectant.

The next morning, Miriam returned The Long Watch to the history aisle.

She did not stamp it. Did not catalogue the changes. She slid it into place and stepped back.

A young man reached for it moments later, eyes widening at the touch.

Miriam watched him go, heart heavy and calm all at once.

At the end of her shift, she noticed something strange.

Her hands were no longer cold.

Over the weeks that followed, the library felt different to her. It felt fuller and charged. She sensed stories breathing behind their covers and seemingly waiting. She began to linger after hours, walking the aisles, touching spines, feeling warmth bloom and fade.

Sometimes, when she paused long enough, she felt memories stir hers, others indistinguishable and some human. She understood now.

The watch does not end. It is passed, and the last page, she learned, is always warm.

About the Author:

Khayelihle Benghu is an emerging author residing in Johannesburg, South Africa. Except writing she has a heart for photography, mainly nature.

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In from the Cold

An Acorns Flash Fiction Feature

By: Maxim Volk

“Lace your skates tight,” her grandmother said, her warm voice a contrast to the deadly cold outside. “Don’t dawdle. They say we have a few more hours of daylight, but one can never be sure.”

Summer double-checked her skates, zipped up her coat, and put her earmuffs over her ponytail before donning a pair of white mittens that her grandmother had knitted her for Christmas. Summer loved running errands for her grandmother because Summer loved the ice.

Summer was born in the ice—not in a poetic way as some children are born in war and others in famine—but in a literal sheet of ice. She had often begged for her grandmother to recount the story of her birth, but her grandmother could only cry at any mention of the First Freeze. Finally, at her eleventh birthday teleparty she convinced her least favorite cousin, a rowdy, crass boy a few years older than her, to meet her in a breakout room and tell her of that night. He recounted the tale of her mother going into labor and her father taking her in the car, despite the weathermen’s warnings, to give birth in a hospital. He described in gruesomely exaggerated second-hand detail how they had found her father frozen solid outside of the family car that had slidden into a ditch, and how her mother, who had already fallen asleep for the last time, was transported to the already overflowing hospital where Summer was born healthy, kept warm from The Freeze by her mother’s unconscious body: one small miracle among a frozen sea of despair. Summer knew she should hate the ice for what it took from her, but how could she hate something so beautiful?

Summer flipped the switch in the foyer, causing the front door to glow and melt the frozen rain that had sealed them inside the last few days, draining it to be filtered into drinking water. Summer held in her breath, opened the door, and stepped out, slamming the door quickly shut behind her as to not cause her grandma any undo chill. Outside, Summer exhaled and watched as the warm breath she had been holding crystalized in the sunshine as it floated to the ground. She carefully descended the front steps, and then, on the sidewalk, she turned her heel and kicked off, gliding carefreely across the frozen landscape. She lifted one leg and bent the other, watching the world turn upside-down. The wind whipped her rosy cheeks as she pulled her slender frame into a tight low spin. She knew people were staring at her, annoyed that anyone chose to move so gracefully in a frozen world where speed and precision were often the key to survival. Summer didn’t care. There was nothing she loved more than basking in the glisten of newly frozen buildings and flitting from eternally icy tree to eternally icy tree.

Summer did not know how long the next rain would last, so she skated outside for as long as she could before setting off for the protein bank where everyone in town received their rations. In the middle of a smooth glide around the corner from her destination, she realized she had skated too long. The line to the protein bank was longer than she had ever seen it before. Everyone had set out as soon as the sun came out. The last rain had been worryingly long, and she remembered some of her virtual classmates mentioning that their families had begun rationing food. This time, no one was going to risk it. Summer pulled herself to the wall at the back of the line and waited impatiently, wishing she had listened to her grandmother’s advice. Hour after hour went by, and the sky turned orange as the pale sun, which Summer had been told once burned bright, began to set on the horizon. Summer was glad when she finally got to the front of the line and even more glad that they had not yet run out of purple, which was her favorite protein. She got some reds and some blues and a green along with an abundance of purple and set out for home in the ever-darkening twilight.

“It’s only a couple of miles,” Summer kept muttering to herself under her breath as she shivered in the frigid air. She made a reminder for herself that she would save her skating for after the protein bank next time so that this didn’t happen again, if she survived long enough to have that opportunity. Up ahead, a Zambo had stalled, blocking the narrow bridge that was the easiest way home. Sighing, she turned, knowing she was adding five more minutes to her journey but not wishing to keep her surely-already-worried-to-death grandmother waiting for the Zambo to move.

It was very dark now, but her new path at least took her through a maze of tall buildings that kept most of the icy wind away. She was moving too fast to take note of her surroundings when she tripped over something, falling hard against the ice. When she opened her eyes to check what she had fallen over, she wished she hadn’t. Her face was inches from a sheet of ice of that glazed the horror-stricken dead eyes of a homeless man. She screamed and pulled herself up. The city had not yet had the time to clean up the icy bodies left by the last rain’s unyielding slaughter.

Summer heard a noise nearby. Her scream had attracted attention. She didn’t want to know who would be out this late. She began to set off towards home again, but she didn’t get far. A man in a ski jacket and large goggles slid from around a corner, cutting off her path. He had long shaggy blonde hair that looked unwashed. “Where are you going little girl?”

“Stay out here and play some games with us,” snarled a different voice. Another man emerged from around a corner. Summer let out a shriek as the men inched closer to her. One lifted his hand to his mouth and slipped his glove off with his teeth. Summer held her breath, refusing to close her eyes.

From behind the men, Summer heard a whizzing followed by a loud crack. The man in front of her fell flat, a trickle of blood dripping from under his hat. The other one grumbled in confusion before receiving a similar blow that sent him sprawling. Summer looked up to see whether the attacker was her savior or another fresh horror that merely prolonged her inevitable fate.

Summer heard a chuckle as a masked figure slid to a halt in front of her holding a hockey stick. While organized sports were a thing of the past, some of the troublemakers still snuck out to play hockey when the weather permitted. The boy turned on an eLantern and pulled his mask up, revealing rosy-red cheeks that covered strong cheekbones and pretty blue eyes that glittered like ice. He gave a grin that was short a couple of teeth, trophies of too many unauthorized games. Summer recognized him as Benji, a student a couple of grades above her. He had gotten in trouble at school once for hacking the teacher’s camera and mooning the class. “Can I skate you home?” the boy asked with an air of sarcasm that masked sincerity. Summer blushed and nodded, suddenly feeling a bit warmer. Benji grabbed her gloved hand with his empty mitten and slung his hockey stick over his shoulder. They moved with haste but slow enough to make pleasant conversation. They chatted about school and family and skating and that, no matter the impending permafrost, they were glad to have the ice sometimes.

“Welp, this is me,” giggled Summer as the pair approached her grandmother’s house. “Thanks for saving me from those creeps.”

“Anytime,” Benji said, flashing his broken smile.

“See you at school tomorrow?”

“Not tomorrow; I got suspended again. Monday.”

“Monday it is,” she said. She skated up to her grandmother’s door and stepped inside. Her grandmother rushed to the door, praising the warmth that she was home and damning the cold for her tardiness. Summer turned around to wave to Benji, and he waved back. A drop of rain fell to the ground in front of her and froze immediately.

“Grandma!” she shouted. “We need to let him come in. He’ll freeze to death.”

Her grandmother shook her head. “We do not have the room or the supplies for another body.”

“Please,” Summer pled. “He got me home safely. I wouldn’t even be here if it weren’t for him.” Her grandma sighed and nodded her head.

“Benji!” shouted Summer. “Come in from the cold!” Benji smiled and skated up to the door, stepping inside. Her grandmother bade him close the door and went off to boil some water for tea. Summer and Benji hugged, feeling each other’s warmth as another rain washed over the house.

About the Author:

Maxim Volk (they/he) is a queer speculative fiction author from the Midwest. They have publications in Macabre Magazine and Carnage House, and their first book releases in 2026 from Slashic Horror Press. You can find them on Instagram @maximvolk1.

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The Chicken House

An Acorns Flash Fiction Feature

By: Fija Callaghan

Old Mrs Iles first came across the house when she was out gathering moss to line her garden stones. Her own home had been awfully quiet since Mr Iles ran off with New Mrs Iles, and so Old Mrs Iles often went for walks in the woods behind the property.

The forest was a bright young thing, all adolescent saplings spaced a respectable distance apart so they could grow big and strong. Even the brambles and ivy behaved themselves, most of the time. So when Old Mrs Iles discovered a ramshackle stone cottage not much bigger than a garden shed, with a pair of scaly chicken feet sticking out from underneath, the most reasonable thing seemed to be to go inside and see what it was about.

The house seemed bigger on the inside than it did on the outside, but not much bigger, not like a magic trick. Just big enough to while away a pleasant afternoon. There was a cold woodstove and a kettle, a small table with two off-kilter chairs, a lumpy mat piled high with blankets, a narrow broom cupboard propped against one side, and a dusty, meaty smell like someone had eaten stew there a long time ago. Old Mrs Iles thought that actually, it was quite homey. So she did a little dusting and cleaned off the single windowpane so she could see outside.

By the time night fell, nobody had returned to the house. So Old Mrs Iles thought oh well, I’ll just rest for a few minutes. The truth was, she still wasn’t used to coming home to a place that didn’t have Mr Iles in it.

Old Mrs Iles lit a fire in the woodstove, laid down on the lumpy mat, and was out like a light.

When she woke she wasn’t sure where she was, but she knew the air was salty and sweet, and she was more well rested than she’d been in a long time. She could hear gulls crying. Outside the window was a broad, sparkling expanse of bright blue sea.

Her heart swelled with longing and joy. She hadn’t seen the sea in more than fifty years.

A quick look in the broom cupboard revealed a neatly folded fishing net. Old Mrs Iles took it outside to catch some fish for her breakfast. She stood right in the water in her bare feet, with her trousers rolled up to her knees, and laughed like she was a young girl.

That night she lay down in the little house again and wondered how her garden was faring. But that made her think about Mr Iles, and some of the day’s happiness went from her. She dispatched the cumbersome thought by promptly falling asleep.

The next morning when Old Mrs Iles looked out the window, the world was carpeted by powder-blue and violet bluebells. Gentle, gnarled garry oaks stood watch between moss-covered stones. It reminded her of the place she used to go for picnics with Patrick, the first boy she’d ever loved. Her mother hadn’t approved of her marrying a penniless painter, and so the two of them had to meet in secret.

Old Mrs Iles stepped outside and let the fresh, cool blooms brush up against her ankles, and felt like she’d come home.

When Old Mrs Iles built up a fire in the woodstove that evening, and warmed her old bones, she remembered the day her mother had introduced her to Mr Iles and said isn’t he such a nice young man. And he had been nice to her, or at least companionable, up until the end.

Old Mrs Iles fell asleep to the sound of wind rustling the oak leaves.

The next morning, the house rested at the foot of a deserted cobblestone street. The sun was just beginning to peek out over the rooftops, and a smell of freshly baked bread drifted lazily through the air. It looked a bit like the village she and Mr Iles had visited once on holiday. She’d been too nervous and distracted to enjoy it, gathering her courage to tell Mr Iles what the doctor had said—about how having children would never be possible for her. Not without an expensive medical treatment. It was in the village square, beside a bubbling fountain surrounded by life, that Mr Iles told her he loved her for the last time.

Old Mrs Iles bought a croissant with jam for her breakfast and walked along the charming passageways, peering in windows at colourful and exotic treasures. A gentleman tipped his hat to her as she went by.

Her feet seemed to know their way, and Old Mrs Iles found herself at the village square. The fountain was gurgling contentedly, and an artist had set up an easel nearby. A tourist posed in soft the morning light while he painted their portrait. Old Mrs Iles closed her eyes and lifted her face to the sun. There was a feeling of life and effervescent happiness all around.

Then someone said her name.

Her eyes snapped open. There, standing at the easel, was Patrick—a little stouter, a little greyer, but no less handsome. Old Mrs Iles touched her own grey curls self-consciously.

With a few more brushstrokes—Old Mrs Iles couldn’t see the canvas, which had its back to her—he pronounced the painting complete and handed it to the happy tourist. Then he came and sat by Old Mrs Iles at the fountain.

When at last they spoke, it was easy, as if they’d seen each other only yesterday. He told her of his travels through Italy and France, painting souvenir portraits for the wealthy; she told him about Mr Iles and New Mrs Iles and the garden at home, which wasn’t large, but was delightfully fragrant on summer mornings. No matter how long they talked, there was always more to say. There was a whole lifetime.

Finally, Old Mrs Iles said, “Patrick, would you like a cup of tea?”

And he said that sounded like a fine idea. So they left the square and wandered back to the little house at the bottom of the cobblestone street. Old Mrs Iles couldn’t wait to see where it took them next.

About the Author:

Fija Callaghan is a storyteller and poet who has been recognised by a number of awards, including winning the SFPA Poetry Prize in 2024 and shortlisting for the HG Wells Short Story Prize in 2021. Her writing can be found in venues like Seaside Gothic, Gingerbread House, Howl: New Irish Writing, and elsewhere. Her debut collection, Frail Little Embers, was released by Neem Tree Press in 2025. You can find out more about her at www.fijacallaghan.com

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The Hand that Bites

An Acorns Flash Fiction Feature

By: Rye

The Hand that Bites

The leaves had only just started to turn. An awful viscera-red crawling up the struggling green with a terrible, earnest determination; that was when the teeth had started to grow out of my hand.

I’d noticed a subtle feeling of wrongness over a few weeks, a gnawing ache that radiated from my palm and through my fingers. Years of carrying burning plates from the kitchen had, I thought, killed all sensation in my palms, but this did feel different. Midway through an unremarkable shift, I ducked into a tiny alcove, predominantly to escape the sharp gaze of the managers who circled like vultures, but the effort was wasted. There was nothing there but a faint redness; a few inches of blushing skin stretched in a lazy crescent shape from the padded place beneath my thumb to the base of my little finger.

I finished my shift, the oddness with my hand pushed to the back of my mind as a group of eight barged through the doors, demanding the best table we had—only then to leave it ransacked after hours of loud, honking laughter and sporadic cheering. After two hours of unpaid overtime, I returned to my one-bedroomed cell, originally sold to me as a cosy flat, and passed out.

Days oozed past, each one the same as if I were stuck in some terrible TV show documenting the miserable life of the hospitality workers. Customers chatted inanely, celebrating the summer which refused to leave; blissfully unaware the planet was clearly dying as they ordered another ice cream sundae for their ugly, red-faced children. I kept my head down when I entered the roiling heat of the kitchen, where the underpaid cooks swore and snarled about the lack of air conditioning. I wove around the tables and chairs, dodging the wandering hands of bored men like some nightmarish obstacle course; only to fall asleep knowing the following day would bring the same.

“I told you I didn’t fucking want pickles!” A man shouted, and as I turned, a bun whipped past my face like a bloated breaded bird. It seemed everyone in the restaurant paused to watch as it splattered onto the wall, one half slid down the plaster and left a gory trail of ketchup and pus-yellow mustard. I turned back to the man. His cheeks were flushed, and his porcine eyes narrowed in anger. Yellow, crooked teeth glinted when his thin lips pulled back. I felt so still. I had stepped outside of my body to look at the depressing scene unfolding. At me, my crumpled uniform and dishevelled hair, at how easily an apology rose from my throat. From this perspective, I couldn’t see the anger which grew through my veins like barbed wire.

The restaurant slammed back into my senses with merciless force, and I swayed on my feet.

“I want another one, do you understand? And a fucking refund. Are you listening to me?” The man’s voice was grating, a petulant note heard in the toddlers who whined for dessert. His meaty fingers reached for my shoulder. I jerked away, my own burning, stinging hand rose to fend off the invader. Our skins touched, and he yelped. The man staggered back and grabbed the edge of the table to remain upright, his eyes wide. Blood, ketchup red, was smeared on his hand.

“I’ll go and get the kitchen working on your order right away and my manager will handle your refund, I am so sorry this has happened to you today.” The script was so light on my tongue, I wondered if I said the words in my sleep. I darted around the man and through to the kitchen, where I grabbed a wad of bandages. Instead of returning to the front, I slipped outside the fire exit and stood beside the large bins in the filthy courtyard. Only now, alone, did I unfurl my hand.

The red crescent was now vivid, a pure and pulsing shade of cherry-red. I watched as the skin writhed, and I felt it. I felt all of the nerves in my palm, as it squirmed. Then the redness opened, revealing two rows of glassy teeth bared in a mischievous grin. I quickly wrapped a length of bandage around my hand and was sure I felt the impossible teeth grind in frustration.

I returned to the flat, and my hand throbbed beneath the bandage. I could see the shadow of blood rise from the gauze. My kitchen felt even colder as I unwrapped the heated skin. Blood had dried into the cracks, dying my prophetic lifeline a vivid red. For a moment, I wondered if the teeth had been an illusion, some stress-provoked hallucination—but no. The second mouth opened, as if stretching after confinement, and again revealed two rows of pale, almost transparent teeth. The flesh surrounding the lipless maw felt raw and tender as if it had been gnawing on itself. I could feel it move, feel the shift of my flesh as it yawned and revealed glistening innards.

Sleep, surprisingly, came easily that night. I woke to see my hand resting on the other pillow, the mouth now on my palm was soft, as if it too slumbered. With a yawn, I walked into the bathroom and found I could shower without consequence; the teeth did not snap or nip at my skin. Instead, I was sure I felt the jagged edges caress my skin with the sweet gentleness of a parent.

A thunderous banging broke through the soft post-shower comfort. I walked with apprehension to the front door, the door which now seemed to tremble beneath the pounding fist on the other side. I exhaled slowly and opened the door to reveal Mason.

“You can’t do this!” The words were spat at me through lips I used to find alluring.

“Mason? What are you doing here?” I asked, keeping my new mouth behind my back.

“You don’t just get to leave, not after everything. Please, come on. I know you, I know us.” He said, and I felt something in my chest fracture. His anger tilted into passion, and his eyes burned. I let him pull me against his chest, let myself inhale the scents of sweat and sandalwood. His arms rose and held me tightly, and my resolve weakened. Our script rose in my mind, and like at the restaurant, it was one I knew in my sleep—the apologies, the promises that this time would be different. We’d find therapists we’d never go to, or download communication guides we’d never read. I’d apologise for my passive aggression, and he’d apologise for smashing my favourite mug. I knew my part. We drew back slightly, but I was close enough to see the amber flecks in his eye.

“I’m sorry,” he said, and he meant it. He always did. Now it was my turn to apologise, my lines waited, but something in me tightened. Why was I sorry? What had I done? Mason’s face was expectant.

“It’ll be different this time,” he added, giving me another cue.

“No,” I said softly, “it won’t. We aren’t good together Mase, we haven’t been for a long time. I think… I think we need to stay finished.”

“No, no you’re wrong. I’ll plan better dates, make more effort. You deserve it.” He said earnestly, and I swayed. My body ached for his warmth. A sharp pain flared through my palm and helped ground my resolve.

“Are you happy? Because I’m not.” I said, straightening my back, “We’re stuck in this cycle, and it has to end.”

He shook his head, and for a moment, I was reminded of the petulant man who threw his burger.

“Give us another chance, you can’t just walk away after everything!” he replied, his voice growing louder, “I won’t let you.” His lips tightened into an ugly line.

He reached for me, but I stumbled back.

“Leave, I want you to leave,” I said.

“No, we are going to fucking fix this!” he shouted. I became aware of his size, of the strength of his arms. Of the weakness of mine. He strode forward and closed the distance between us. My back hit the wall. My phone was in my bedroom.

“Mason, please. We can talk another time,” I said, trying to calm the anger I saw twisting his features into a different face.

“There is nothing to talk about. You aren’t leaving me.” He snarled and placed one hand beside my head. I felt so small. I could not find the man in this creature.

“Mason…”

“I won’t let you go,” he said softly, the oath echoed in the twitching muscle of his jaw.

“I believe you.” My lips were numb as my body slackened. I lifted my arm and placed my hand on his neck. I could taste salt and skin, and then I could taste blood.

About the Author:

Rye is an English writer who specialises in both poetry and short form fiction. They have been published internationally in online journals and literary magazines, including ‘The Pink Hydra’ and ‘Dusty Attic Publishing’ among others.

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Seven Blue Bowls

An Acorns Flash Fiction Feature

By: Anne Karppinen

At dawn, the wind blows from the north, over the mountains. The air is crisp and easy to breathe. The landscape sparkles in shades of blue and green; as the sun rises, it adds more tints one by one. This is the time to make a pot of tea and pour it slowly into small cups. No one should start their day with a clouded mind or a burned tongue.

A flock of magpies passes overhead. The only time they’re quiet is on the wing, and even then one of them might burst out into a bright, cackling laugh. Birds are more aware of us than we are of them: magpies, too, keep an eye out for intruders, and make sure none of the flock is left behind if a human comes too close.

After breakfast, I get my foraging-basket. There are people who believe that certain plants need to be harvested by moonshine, while others will lose their potency if cut after midday. I have yet to meet a flower that refused to yield its essence, or a seed that shrivelled up at my touch. I choose the time and the method, and the plants choose how much of themselves they want to give up to my use.


When I return home, it’s midday. The sound of the cicadas is overwhelming; the sun is beating down on my back. I acknowledge the power of the noise and the stifling heat, and withdraw as gracefully as I can. Setting down my basket by the well, I draw up a bucketful of water from the stony depths, and savour the cool taste before splashing my face and neck. The hint of iron stays on my tongue.

Thus, I’m not surprised to find the young warrior expecting me. He has been sitting on the porch, but springs up when he sees me. He’s left his weapons at the gate as is customary; his angular movements and the rapid way he spits out his words are indication enough of his occupation. Men like him are used to bowing to authority. He sees none in me, and is negligent with his honorifics.

‘I was told you have a spell for untouchability in battle.’

Soldiers are also notoriously superstitious. ‘Such spells are expensive,’ I tell him. ‘The best way to remain untouchable is to avoid battles altogether.’

Worry flicks across his face. ‘Are you saying that I shouldn’t go South with the general?’

‘It depends on how badly you want to return home. You have a sweetheart waiting?’ He’s an agreeable-looking young man: chances are that he’s managed to attract someone who doesn’t mind his raucous voice and calloused fingers.

He looks down. ‘We’re getting married next year.’

I move my fingers in the tiniest of gestures.

The young man drops a bag of coins and my feet, and runs down the path.


The evening steals in, gathering in the deep valleys and lurking behind corners before announcing itself with a true spectacle. Orange and bulbous, the moon rolls out of the darkness; it can’t rival the sun with its luminosity, but its perfectly round face is a wonder to behold. I’ve just finished washing up; the blue ceramic bowls gleam in the moonlight as if poured full of silver. While I set the pot over the fire, I keep listening to the sound of hooves.

The banker arrives just as the embers are beginning to turn black at the edges. His horse lets out a trumpeting snort, and starts sampling my flowerbeds. I don’t really mind: this late in the season there’s not much joy in growing things. In my mind I’m already filling the blue bowls with petals, berries and nuts, and counting how much sugar and salt to buy to last through the harvest and into the long winter.

The visitor is in his middle years—handsome, perhaps, if one ignores the quick glances he sends around him. People like him always want to know the exact worth of things. They put sums down on paper, and store their most valuable possessions in vaults. He doesn’t dare to look straight at me with those evaluating eyes of his. He knows that I will look back.

‘My doctor says I don’t have long to live.’ His right hand rests on his purse.

‘I don’t do funerals.’

He starts, then lets out a nervous laugh. ‘I was just thinking… a second opinion?’

‘What seems to be the trouble? Is there pain?’

‘The pain comes and goes. As does my appetite.’

He’s been casting wistful looks at my cooking-fire: the long ride has awakened the fickle flame in his belly. I season the stew with red pepper and late herbs, and ladle some into two bowls. He gulps the food down with the simple greediness of a child, then holds out his bowl for a second helping.

Somewhat sheepishly, he says, ‘It’s the mountain air. Always does one good. Look at you: we must be around the same age, yet you move like a young girl. Hardly a grey hair—mine went long ago. Didn’t even have the courtesy to turn white first!’

Soon, he’s cracking more jokes like that, drunk on his own good spirits. Making an expansive gesture, he tips his empty bowl over. It drops onto the flagged floor, cracking cleanly in half.

‘A thousand apologies! I’ll send you seven new ones, right away!’

‘Don’t worry about it,’ I say, although I know he isn’t listening. ‘Yesterday I had seven blue bowls, today I have six. That’s more than enough for one person.’

He leaves soon after, even though I’ve offered him a bed. The sight of the broken bowl haunts him. Is that my heart? he’s asking himself. Will that be my family, once I’m gone?


The moon skates over the sky, finally disappearing in a silvery halo down the side of the southern mountain. The last of the nightsingers falls silent. In a few hours, dew will start beading the grass: some people stay up all night to gather it in silver vials, in the hope of receiving the gift of continuing youth. In truth, it’s only water. I prefer to take my sleep between cool linen sheets, and wash my face with well-water after sunrise.

There is a secret to long life and contentment. People instinctively know that it’s not high status or money—at least not for most of us. It’s not the joy of the changing seasons or the sun’s daily cycle: not entirely. Magic potions will only take one so far, as can love. But why ask the wise woman of the mountain? My contentment is a bowlful of marigold petals. My long life will ultimately be in the mountains themselves: the cool air, the flowing water, and the black, potent soil.

About the Author:

Anne Karppinen is a university teacher, musician and writer based in Finland. She’s studied Creative Writing in the UK, and has been teaching writing – both academic and creative – for more than ten years now. Her speculative short stories have recently appeared in f.ex. Impossible Worlds and Worldstone; “The Lamplighter’s Daughter” was chosen for the Best of Wyldblood anthology in 2022. Her book, The Songs of Joni Mitchell, was published by Routledge in 2016.

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9 Questions for Tim Jeffreys

Man standing to the right of a statue of Frankenstein's monster

We caught up with Tim, author of “The Treachery of the Heart,” the atmospheric and creepy first story in our puzzle anthology, Through the Briar Patch.

Tim: One-time art student, sometime creative, father of two teenagers with a day-job in the health service.  Otherwise, a solitary-type, best not disturbed, with his head in a book or hunched over a writing desk.


Tim: I dedicate one day a week to writing, and on that day I aim to get at least 1000 words down.  I will be at my desk, doggedly trying to avoid all other distractions, on this day even if I get no writing done. I think it’s important to have a routine and a dedicated time to be at your desk, even if it’s only for an hour or two.  That slow drip of words will add up surprisingly quickly. 


Tim: I’m lucky enough to have a dedicated writing space, with a desk walled-in by shelves of books, records, and CDs (basically, all my shit in one room of the house). My desk contains a drawing board and my laptop surrounded by disorderly piles of notebooks.  I like buying notebooks and will write in the first one that comes to hand – a bad habit as it means stories and novels are planned across various notebooks. Now which one did I write that character description in…


Tim: My favourite stories tend to end up being the ones that get the best reactions from readers.  I’ve become very fond of a story I wrote called ‘Here Comes Mr. Herribone!’ for that reason.  It’s about a comedy double act that introduce a new character into their show, which involves one of them donning a sack cloth head they find lying around in an old theatre.  I had no idea at the time that I was writing one of my best stories, and I’ve since worked this up into a novella.  I’m also quite proud of a little flash fiction story called ‘Myerscough and Skelton’.   I had the title for years, and when I finally came to write the story it took me two weeks to write 900 words.  But it’s a story where every word counts. It also feels very ‘me’ for reasons I can’t fully explain.  It was narrated wonderfully on an episode of Tales to Terrify.


Tim: I managed to write an entire novel last year (woo-hoo!), so I got it into my head that I could do that every year.  It hasn’t worked out so well in 2025.  I’ve started four or five novels this year.  The one that seems to be going the distance is called ‘Hollow Back’ and it’s based on one of my short stories, although as it’s set in winter it was hard to write during the summertime.  I also keep getting called back to writing short stories – irresistible as it means actually getting something finished. I also like to have a bank of stories to send out to submission calls.


Tim: Yes!  The past few years, I’ve been going through Tim Winton and Kevin Barry’s novels.  I also dip in and out of lots of books of short stories.  Top of my TBR pile…I’ve never read Frankenstein so I’d like to give that a bash.


Tim: The most challenging thing is definitely self-promotion.  I’ve tried all kinds of things with very little success.  My (probably extremely naive) hope is that readers will discover my work for themselves.


Tim: Since my day job also involves staring at a screen, I like to give my eyes a break and get away from the laptop as much as possible when not writing.  I’m a big music fan and will spend a lot of time listening to music and endlessly making playlists.


Tim: The best place to find me is probably at Tim Jeffreys Writer.  Either that or follow the trail of chocolate wrappers.  I’ll be at the end of it, looking regretful.