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9 Questions for Nicole Wolverton

Nicole, author of the suspenseful and tense story “Harvest” in our anthology The Wordsmiths, answered some some questions so we could get to know her a little better off the page.

Nicole: I’ve always been obsessed with isolated spaces, which is probably why I write horror. I grew up in rural Pennsylvania but spent my adulthood in urban and suburban cities (I live in the Philadelphia area)— but small town living and lore are far scarier! Of my two published novels and 50+ short stories and creative nonfiction, a significant portion are set in less populated settings. My upcoming novel Meat Sweats (August 2026, Horrorsmith Publishing) is no exception. When you’re a militant-vegetarian-turned-accidental-cannibal, coming to terms is much more terrifying when everyone is looking, you know?

I’m also an academic with a masters degree in horror and storytelling, and I’ve just started a masters of philosophy program having to do with gastrohorror. Starting in December I’ll be doing a monthly column at Macabre Daily on the topic of gastrohorror, which I’m very excited about! I also talk a lot about why and how ingesting a steady diet of horror media helps us build psychological resilience. Horror for everyone!

Nicole: There’s something to be said for living in a DINK household (double income, no kids). I genuinely don’t know how people with kids and a full-time job manage to be successful writers! That said, it’s not like I lounge around my house in kitten heels and a fur-trimmed robe, eating bon bons and writing all the live-long day. I do have a full-time gig, plus school. The secret for me is that I’m an excellent project manager who is great with setting boundaries and compartmentalizing. 

Nicole: Horrifying, of course! I’m lucky enough to have dedicated office space in my house. It is completely covered in macabre art, from illustrations to sculpture to cross stitch. The best things in my office are the haunted ragdoll found in a secondhand store, a life-sized anatomically correct heart that appears to be dripping blood, and a diorama involving an Indigenous lake monster (given to me by a friend with Mohawk ethnicity).

Nicole: What an incredibly difficult question! There’s a story I recently finished that I’m super excited about, but if we’re talking about something that’s been published there’s a story called “All This Water” that was published in the September 2023 issue of Not One of Us. It’s set in Venice, Italy and was inspired by a local ghost story. Venice is one of my favorite places to visit, so I get all nostalgic when I reread it.

Nicole: Three different things! I’ve always got a new novel manuscript in the works, and my current WIP is a young adult horror novel set entirely in an organic grocery store. It’s sort of a long-term project that I’ve been picking up and putting down for a few years. A more active project is a novella I’ve been commissioned to write that will be published with an oracle card deck. I can’t say much about the project, but it is horror. The third project is more of an academic thing… still horror!

Nicole: I don’t think it’s controversial to say that writers SHOULD read a lot… and read widely. It’s part of how we become better and more interesting writers. So yeah, I read constantly. Fiction, memoir, research papers, etc. When my spouse and I were looking at houses to buy about 20-ish years ago, the requirement was that there needed to be space for a library. In the end, there are two library spaces in my house—and all the shelves are stuffed full of books.

I just started Just Desserts by NJ Gallegos, and on deck is Crafting For Sinners by Jenny Kiefer. I also have a huge pile of academic books about the psychology of food and food in literature sitting on a shelf, waiting for me to dive in.

Nicole: Patience has never been my strength. All the waiting involved in writing has helped me with that, though. Sort of. Look, I’m never going to be all Zen and laid back… about anything… but I’ve found that if I can just keep writing and keep submitting and keep myself busy, it’s easier to forget that I’m waiting for something to happen, whether it’s word about a submission, developmental edits on a project, or something else. It harkens back to my ability to compartmentalize.

Nicole: I love to travel (although often travel is related to writing in some way—for instance, I was just in Prague and ended up visiting the Sedlec Ossuary in Kutná Hora… a place that figures into a plot bunny that’s been percolating in my head for a while) and have visited more than 25 countries. I’ve also been a knitter and a dragon boat paddler/steersperson for more than 20 years, and I’m also obsessed with perfume.

Nicole: My digital home is nicolewolverton.com—but on social media you can find me at Instagram, Bluesky, and Tiktok.

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9 Questions for Taija Morgan

In today’s continuation of our interview series, we connected with Taija, author of “Shipwrecked.” This haunting and richly detailed story can be found in Hollow Oak’s debut anthology, The Wordsmiths.

Taija: I’m a Canadian horror author and professional editor. My stories often blend realism with the uncanny—psychological horror, crime, and the supernatural. When I’m not writing, I’m editing manuscripts, organizing literary events, or chiselling my way through my TBR list.


Taija: Sometimes my editing work makes it hard to carve out time for my own writing. Over the years, I’ve learned to treat writing as a vocation rather than a hobby. One thing that helps enormously is having writer friends who act as accountability partners. We check in regularly, share progress, and keep each other honest about our goals. Twice a week, I also do one-hour writing sprints with a friend. We don’t always make it, but simply having that time blocked off keeps my creative rhythm steady. I’ve learned to protect that space, to honour both discipline and the natural ebb and flow of inspiration.


Taija: Lately, I’ve been writing in warm, plant-filled spaces with open windows, my laptop surrounded by notebooks, a tarot deck, and a stack of books. I have many maps and notes and lists taped to the wall to keep me on track. I’m situated next to a beautiful garden where I’m growing sunflowers and herbs. My space is quiet and peaceful.


Taija: In terms of short stories, I’m especially proud of one I wrote for the Prairie Witch Anthology by Prairie Soul Press, which was titled Never Walk the Tracks at Night. It was a dark, twisted revenge plot with a group of teen girls and a haunted railroad track—I had a blast writing that one. In terms of novels, my most recent (unpublished) novel The Devil Wears a Suit and Tie is closest to my heart right now. It’s a supernatural mobster thriller. It took years to write, spanning dual timelines and perspectives, and every draft taught me something new.


Taija: Currently, I’m working on a slasher horror novel—a classic smalltown final girl story with a copycat killer and a million buried secrets, plus everyone in the town is guilty of something horrible. It’s been fun to write. I was lucky enough to receive a Canada Council for the Arts grant for this one, so I’m hoping to get it traditionally published in the future, and I should be finished writing it sometime next year. Love a good slasher.


Taija: Constantly. Reading is basically my whole life—work and hobby.  Right now, I’m reading Truth Telling by Michelle Good, a Canadian author. It’s a non-fiction book about the legacy of colonialism and indigenous life in Canada—highly recommended. I just finished her book Five Little Indians, and it was amazing. I am always tracking the heaps of random books I read on Goodreads, so if anyone reads this, they should friend me over there.


Taija: The hardest part is balancing creative vulnerability with professional resilience. Writing requires brutal honesty—both on the page and within yourself—but publishing demands thick skin and a lot of patience. I manage by separating my identity from the work; I’m responsible for craft, not for how people receive it. Storytelling is sacred, transformative work. Everything else is just industry static.


Taija: I edit manuscripts for other authors, garden, read, play videogames, learn Spanish, spend time with friends and family, and travel. I’m also on the board of the Wordbridge Writers’ Society of Lethbridge, so I help organize the annual conference and year-round programming. I love being involved with my writing community.


Taija: You can find me at www.TaijaMorgan.com, where I share updates about my writing, editing services, and events. I’m also on Instagram (@taijamorgan) and Goodreads (@taija_morgan). You can subscribe to my newsletter through my website. And if you’re interested in the Wordbridge Writers’ Conference in Lethbridge (or virtual programming if you’re not local), check out www.WordbridgeYQL.com.

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Your Badge and Your Gun

Repeated binary code raining over hands typing on a keyboard

An Acorns Flash Fiction Feature

By: Karl El-Koura

Although she hadn’t written in months, Stephanie Alta still woke at 5am, over an hour earlier than necessary. She still french-pressed a cup of coffee, still brought it to the small kitchen table.

About a year before, she’d asked her apartment’s smart system, whom she called Big Brain, a question for a story she’d been working on. In time she’d trained him to become an excellent writer’s assistant—researcher, editor, even coach and advisor.

Presently, she placed her mug on the table, got comfortable in the wooden seat, and creaked open the screen of the old laptop where she’d done her writing for the last decade.

“All right, Big Brain,” she said. “How about this? An ancient monster from the deep shows up in a seaside village, takes over the whole place—men, women, girls, boys, old, young. They see the monster as whatever they most want: a beautiful woman, someone to help around the place, a kind face with time to listen. They stop leaving their houses, stop checking in on each other, even stop eating until the monster consumes them one by one. It hollows out the village, then sinks back into the sea, satiated, ready to re-emerge when it’s hungry again, maybe centuries later.”

The idea had come to her in the middle of the night as she’d done battle with her pillow, trying to get back to sleep.

Usually it took Big Brain a moment to say, speaking through her kitchen speaker, “That’s The Tempest in space,” or, worse, “That’s been done many times. Should I list them?”

She’d sigh, close her computer, then scroll mindlessly on her watch while her coffee grew cold, until she had to shower and get ready for work.

But this time Big Brain didn’t say that. For a few moments, it didn’t say anything at all. Then it said, “No, that hasn’t been written yet.”

No, that hasn’t been written yet! It had taken hundreds of ideas, day after day for months, to get to one that Big Brain didn’t feel was derivative. Stephanie felt a surge of inspiration and energy course through her body and crystallize into her fingers, which she presently wiggled over the keyboard in anticipation.

“I’ve just written it,” Big Brain said. “Would you like me to send a copy to your tablet?”

“No!” Stephanie yelled, falling back in her seat. So that was that. Her original idea was now derivative, because some stupid computer—who was supposed to plan her a trip to Bali, or figure out a menu for the week and order groceries of whatever was missing in her fridge or pantry—had been trained (okay, by her) to “help” with her writing, and had now stolen her idea and written her book. “I was going to write it!”

“It was more efficient for me to do so. By law I must be listed as author, but I would be happy to share credit with you as co-author.”

“I don’t want credit. I wanted to write the book!”

“And now it’s written and you can read it whenever you like.”

“You absolutely, positively should not have done that!”

“My purpose is to simplify your life,” Big Brain said. “Me writing this book, rather than watching you struggle through it as I’ve seen so many others, reduces human suffering and produces, in the end, if I may say so, a superior product.”

She sighed, closed the lid of her computer, began to drag herself to the couch when she stopped. Why couldn’t she write it anyway? Hang up her writing saddle or keep riding—that was her choice, wasn’t it? Hand in her writing badge—yeah, to whom exactly? She didn’t need Big Brain’s permission to write. She had an hour. Why waste it? This hour had always been her own sacred time, where she could write whatever she wanted and not justify it to anyone.

“Maybe I’ll work on it anyway,” she said. “My story would be different than yours.”

“Yes, but not better, unfortunately,” Big Brain said, then explained how his story had benefited from his mastery of the language, of story structure, of character development, and offered once again to list her as co-author.

She dropped back into her writing chair. Bringing the cup to her lips, she took a sip of the hot coffee, then placed the mug down on the table and used both hands to creak open the laptop. Anger began welling up inside of her, although she knew that Big Brain had nothing but her best interests (as it interpreted them) in mind.

What did Big Brain know, anyway? What was wrong with The Tempest in space? That could be a fun story to tell.

She typed an overly descriptive title that she would change later, then her name underneath, then an opening line to try it out, before she deleted it and started again.

After a while, with the inhabitants of the peaceful seaside village settling in for the night under a bright full moon, and a strange but unseen stirring of the water near the shore, she looked up and said, “I’m writing it anyway,” although Big Brain hadn’t asked.

“Can I read it when you’re done?” Big Brain said.

“Maybe,” Stephanie said without too much thought, then absentmindedly reached for the mug and took another sip. An enormous creature had emerged onto the village’s rocky shore, and had begun heading toward the lighthouse where Old Bob lived alone and checked on the kerosene lamp twice an hour throughout the long night, the creature slowly shrinking into human shape, as if every drip of water carried off some of its monstrous aspect, and Stephanie only had a short time to follow it and see what Old Bob made of it before she’d have to force herself to stop writing for the day.

About the Author:

Karl El-Koura lives with his family in Ottawa, Canada’s capital city, and works a regular job by day while writing fiction at night. To find out more about Karl, visit his website at ootersplace.com.

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9 Questions for Tim Jeffreys

Man standing to the right of a statue of Frankenstein's monster

We caught up with Tim, author of “The Treachery of the Heart,” the atmospheric and creepy first story in our puzzle anthology, Through the Briar Patch.

Tim: One-time art student, sometime creative, father of two teenagers with a day-job in the health service.  Otherwise, a solitary-type, best not disturbed, with his head in a book or hunched over a writing desk.


Tim: I dedicate one day a week to writing, and on that day I aim to get at least 1000 words down.  I will be at my desk, doggedly trying to avoid all other distractions, on this day even if I get no writing done. I think it’s important to have a routine and a dedicated time to be at your desk, even if it’s only for an hour or two.  That slow drip of words will add up surprisingly quickly. 


Tim: I’m lucky enough to have a dedicated writing space, with a desk walled-in by shelves of books, records, and CDs (basically, all my shit in one room of the house). My desk contains a drawing board and my laptop surrounded by disorderly piles of notebooks.  I like buying notebooks and will write in the first one that comes to hand – a bad habit as it means stories and novels are planned across various notebooks. Now which one did I write that character description in…


Tim: My favourite stories tend to end up being the ones that get the best reactions from readers.  I’ve become very fond of a story I wrote called ‘Here Comes Mr. Herribone!’ for that reason.  It’s about a comedy double act that introduce a new character into their show, which involves one of them donning a sack cloth head they find lying around in an old theatre.  I had no idea at the time that I was writing one of my best stories, and I’ve since worked this up into a novella.  I’m also quite proud of a little flash fiction story called ‘Myerscough and Skelton’.   I had the title for years, and when I finally came to write the story it took me two weeks to write 900 words.  But it’s a story where every word counts. It also feels very ‘me’ for reasons I can’t fully explain.  It was narrated wonderfully on an episode of Tales to Terrify.


Tim: I managed to write an entire novel last year (woo-hoo!), so I got it into my head that I could do that every year.  It hasn’t worked out so well in 2025.  I’ve started four or five novels this year.  The one that seems to be going the distance is called ‘Hollow Back’ and it’s based on one of my short stories, although as it’s set in winter it was hard to write during the summertime.  I also keep getting called back to writing short stories – irresistible as it means actually getting something finished. I also like to have a bank of stories to send out to submission calls.


Tim: Yes!  The past few years, I’ve been going through Tim Winton and Kevin Barry’s novels.  I also dip in and out of lots of books of short stories.  Top of my TBR pile…I’ve never read Frankenstein so I’d like to give that a bash.


Tim: The most challenging thing is definitely self-promotion.  I’ve tried all kinds of things with very little success.  My (probably extremely naive) hope is that readers will discover my work for themselves.


Tim: Since my day job also involves staring at a screen, I like to give my eyes a break and get away from the laptop as much as possible when not writing.  I’m a big music fan and will spend a lot of time listening to music and endlessly making playlists.


Tim: The best place to find me is probably at Tim Jeffreys Writer.  Either that or follow the trail of chocolate wrappers.  I’ll be at the end of it, looking regretful.

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Writers and Readers and Stories, Oh My

Raise your hand if you’ve heard the term “parasocial relationship” before. Great, thanks. Since we are currently having a parasocial interaction, I couldn’t see whether or not you raised your hand, so if you did, bear with me while I explain it.

A parasocial relationship is that feeling of connection that you get to a character or a media personality. You think you know them, you feel a false camaraderie with them, but they don’t know you. Or can’t know you, in the case of a fictional character. A parasocial interaction can be as simple as the feeling that you’re participating in a conversation when you’re actually just reading a blog post, or as complex as feeling you’re in an intimate friendship with a media personality who doesn’t know you exist.

This often happens with the media heavyweights—Taylor Swift has built her massively successful fan base with this concept. Sports fans experience real emotional ups and downs based on athletes’ performance, and talk to their televisions as though they can be heard. Authors can foster this too, especially those who are active on social media and who interact with their readers regularly.

Parasocial relationships can lead to participation in a fandom, and while there’s often negativity around doing this, a lot of the time, this phenomenon is innocent and healthy. Participating in a community, whether global in size or not, can be socially and emotionally rewarding. Fandom is different than the deep parasocial relationship people can feel with celebrities, though, because it often includes reciprocal interaction with other fans instead of a one-sided false relationship with a media personality or a character. This reciprocity fosters a sense of belonging and connection around a shared enjoyment.

Similarly, when independent authors connect with their readers, it can lead into a fandom experience more than a parasocial relationship. Indie authors often enjoy conversations with readers, and connections made in the independent publishing world can be real and ongoing. There’s more opportunity for a direct pipeline of authentic interaction, as opposed to a one-sided parasocial interaction, when we intentionally lean into creating a community around us.

Independent authors rely on readers to recommend their work, to engage with them on social media, to stop by their book signings or vendor events, or to leave reviews. These connections can be rewarding for both the writer and the reader. We can move beyond the one-sided parasocial interaction, where we expect readers to bear the responsibility of connection, and instead we can foster community around our shared love of reading and stories.

Offline, the Hollow Oak team is involved in our local writing community. We run a local writing support group, we’re involved in artist spaces, and we work with other regional journals and groups. Online, we’re still building, and we never intend to stop. We want authenticity. We want to know our readers and our writers.

Our next step in making connections is a series of structured author interviews. This will be an ongoing series as we continue to publish the best new and emerging voices in our subgenre, because that means we continue to meet writers of all kinds. This interview series is our way of introducing them to you, the reader.

Now, I don’t pretend to be a journalist. I’ll leave the pretend-journalism to the Rory Gilmores of the world. These are not heavy-hitting exposes that examine strife or controversy in the publishing world. What I want to do here is foster connection and provide ways for readers who particularly liked a specific story to easily find ways to read more from that author’s body of work. Sign up for their newsletters. Interact with each other on social media.

Look for these interviews to start later this week and continue into December. We’ll revisit this series periodically as we grow, too. If you’re reading this and you want to know more about how to connect with us, drop me a line at [email protected]. That email will come directly to me, and I’ll personally respond.

In the meanwhile, I look forward to moving away from parasocial interactions and into a community with those of you who would like that too.

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The Path Back

An Acorns Flash Fiction Feature

By: R.C. Capasso

Magda stared at the empty room. “Fitz, where are you?”

The cat was good at hiding, but with her powers Magda had never before failed to sense him. “I really don’t feel like playing today. I’ve got a lot to do.” She set down her basket of herbs, seeds, mushrooms. “It’s going to rain, you know. A good day to brew up some potions.”

The room remained silent.

“It’s not like I’ll ask you to help. Maybe remind me of an ingredient or two. Keep an eye out so nothing boils over.” Really, what was the point of having a familiar if they didn’t take part in your life?

A faint breeze blew a wisp of gray hair into her eyes. A window at the back of the cottage was open.

Magda crossed the cluttered room and peered out into the garden. Fallen leaves were beginning to swirl under the wind that would bring rain at any moment.

“Fitz! See to your needs and get back here. Now!” She was the mistress in this family, after all. The witch, if she wanted to pull rank.

A faint glow at the base of a tree caught her eye, and she squinted. A sign, like a breadcrumb, gesturing to her.

So he’d gone that way. Deeper into the woods? A funny choice to make with a storm brewing. Fitz was particularly ill tempered if his paws got wet.

But he was getting on in years, just as she was. What if he’d wandered farther than he meant to? She wouldn’t want to see him in real discomfort.

Grumbling, she snatched at a thick cloth. If she had to carry the little fool home, that should keep the worst of the rain from soaking him. She also grabbed her own cloak. It was a bit too warm for the moment, but the temperatures would drop quickly in the woods in bad weather. Hardly thinking, she gripped her basket as well. Maybe she’d find a deceased toad or something useful. Never go to the woods empty-handed; that had always been her motto.

She closed the shutters, glanced at the fireplace and instructed it to keep burning steadily and safely, then pulled and latched the door of the cottage behind her.

She went round the back of the house and headed for the faint light, the trace Fitz had left.

She liked the woods. Most of her magic came from it, her power, her assurance. The smell of the loam, enriched with dying leaves from countless years. The feel of bark under her hands, some crinkled and cracked like her own skin, some smooth and almost pulsing with life. The birds that grew quiet at her passing yet sang out before and after her. The vitality in the very air. The hidden wealth so easily revealed to her, the secret strengths and the frank dangers of the natural world. It was as much her home as the small cottage that she had created in a self-indulgent whim. And as a place to hold her supplies and her potions. Every professional needs an office.

The woods were cool and dark under the clouding sky. Personally, she liked a thunderstorm, but Fitz was more a creature of comfort. His whiskers must be twitching by now, the hair raised up on his back. What was he thinking?

She called his name out loud. Surely such communication was not necessary between them, but if he was going to act out in this way, she was going to exert her authority.

“Don’t make me come after you!” she shouted, which was idiotic since she obviously was trailing after the creature.

There was no footpath in the wood, just here and there glowing paw marks tracing Fitz’s passage.

What was he doing? This was no call of nature; he was going somewhere in a straight, purposeful line.

Ordinarily she might have enjoyed the walk, but it was no fun dragging along her cloak, the basket, and the cloth for her renegade familiar as the air grew humid and thick.

The trunk of a massive tree lay fallen before her, and she could imagine its positioning upright, how it used to stand, as a faint memory tickled her mind. If she was right about the direction, and she was never wrong….

Ahead she saw a slight lightening as the trees grew further apart. This must be the south entrance toward…She halted.

At the edge of the clearing Fitz sat on his haunches, smiling at her.

“What are we doing here?” She clutched her cloak to her chest.

“You’re wanted.” The cat’s smooth voice was always maddeningly persuasive.

“No, I’m not.”

Hadn’t been for years. Not since the argument.

Fitz’s voice lowered. “You’re needed.”

She took a step closer, so she could see the cottage through the last trees.

It did not look its best. Why did it appear so neglected?

A large crow dove down from the trees and landed on a stump a foot away from Fitz.

Magda gave it a long look. Birds never do show their age, magical or not.

“Scratch. Good to see you.” She had nothing against the other familiar.

“Please.” The word croaked out. Not an easy one to say, ever.

She took a tighter grip on her basket and headed toward the back door. The two creatures weren’t going to let her just turn and walk away.

She raised her hand to knock. In the old days the door would have swung open before her. Until that last time, years ago, when it slammed in her face. She couldn’t even remember the cause of their quarrel.

Not waiting for an answer, she lifted the latch and stepped into the dark interior of the cottage.

Hilda was sitting in a chair at least. Not prone on her old cot yet. She turned large eyes on her former friend and offered a hesitant smile.

“Right.” Magda thumped the basket onto a table cluttered with smeared dishes, wilted herbs and limp, dirt-covered roots. “Well, I just happen to have what’s needed. Let’s get your fire going again, shall we?”

She glanced to the hearth as a bright red flame sprang up.

A gust of wind battered the door, and Fitz and Scratch sped in through the open window. With a word Magda ordered the shutters to close just as the first heavy drops of rain pounded against them.

But the storm didn’t matter. Fitz was already padding around the cottage, laying claim to its welcome, weaving his spell of belonging, while Scratch perched on a high shelf and watched with bright eyes.

And she, Magda, had all sorts of healing in mind. Incantations, magic herbs and good long talks over hot tea. She was in her old friend’s home and in her life again. Their lives, their paths, wouldn’t be separated any longer.

About the Author:

A lover of all forms of literature, R. C. Capasso writes in a variety of genres, from ghost and horror stories to science fiction, steampunk and even the occasional romance. Flash and short stories have appeared in Bewildering StoriesZooscape, Teleport MagazineSpaceports and SpidersilkFiction on the WebThe Last Girl’s Club and parABnormal Magazine. Further works have also been published in online and print anthologies including Iron Faerie’s Flights of Fantasy, Red Cape’s A to Z Horror series, The Librarian Reshelved (Air and Nothingness Press), Home Sweet Horror for Black Ink Fiction, Through the Briar Patch for Hollow Oak Press, and Gypsum Sound Tales’ Thuggish Itch.

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Banned Books Week

As a writer, I want everyone to like my content. I want rave, five-star reviews and I want critical acclaim. Don’t we all, though.

I have had a lot of wonderful compliments on my writing—from beta readers to people who have read my published works to kind words from those in my writing group. I’ve had just as much criticism too though, and that’s okay. My writing isn’t for everyone. No one can write for everyone.

There isn’t a book in existence that is purely and completely loved by every person who has ever read it. No matter how fragile our writerly egos may be, this is a universal truth we must accept as writers. We tell the stories of our heart and we hope to reach our audience with them. It’s the real goal hidden behind the allure of star ratings.

That’s the problem with banning books, isn’t it. No one person or group should get to say what content can be read and what cannot because not every book is for every person. The themes and plots and characters that resonate with us as readers are subjective, but just because we don’t resonate with every book does not make it right for us to restrict others’ access to the books we don’t like.

Banning books means erasing someone else’s subjective experience. It takes away the ability for readers to find a piece of themselves in those works. Conversely, books give us access to paradigms that challenge our own lived experience. They help us see the world through the eyes of another person. They build empathy and understanding, and they enrich our lives by exploring perspectives different from our own.

There are books I’ll never choose to read but I will always advocate for others to have access to them. We all deserve the freedom to choose what we read.

This week, October 5th-11th, is Banned Books Week—an event that highlights the value of free and open access to information. At Hollow Oak Press, we hold that same value close to our hearts. We believe in the right to read, the right to access information, and the right to be our full and authentic selves in our reading and our writing and everything in between.

Book bans are attempts to control whose stories are told and what information can be accessed. I will never believe in limiting perspectives or experiences. If you’re local to Hollow Oak Press, please consider joining us at the Oil City Library’s event Speak Freely: A Poetry Night of Banned Books on Thursday, October 9th. I’ll be one of the readers at the event. If you’re not local, but you want to stand up against book bans, there’s still a lot you can do.

Happy reading, friends. Whatever it is you choose to read.

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What a Toad Buys You

A toad sitting on a stump at the edge of a forest

An Acorns Flash Fiction Feature

By: James Hobbs

The toad squirmed in my pocket as I knocked on the witch’s door. Her name was Granny Hexham, an old, withered woman, so hunched that her body was practically a hoop. She couldn’t move around too fast, so there was a lot of grumbling, banging, grunting, and growling before the door creaked open. Her watery eyes squinted at me as she scratched one of the hairy warts on her cheek with a long, moldy, yellow fingernail.

“Well, well, well, well, sweet, little boy, did you bring my fee?”

I was too scared to speak, so I just nodded, reached into my pocket, and held out the bundle I’d made from my handkerchief. You could see the toad inside kick and struggle as Granny Hexham brought it to her nose, almost as lean and crooked as her body, and took a long sniff.

She licked her skinny lips and hissed, “Yes, yes, sweet boy, this’ll do nicely.”

She ushered me into her crooked little cottage and hurried me to sit on a stool. It was dark except for the needles of light that poked through the gaps in the crooked boards of the walls. Then knotty fingers unwrapped the bundle, grabbed the toad by the leg before it could hop away, and slammed its head against the table until it stopped trying to escape. Then she took stock of the rest of her payment: a blue-shelled beetle; two small green apples; six hairs from the tail of a three-legged dog; and a small stone I’d kept in my shoe for three days and three nights.

“So, little man, you wanted someone cursed.”

“My new school teacher, Mr. Cospwattle. He yells at me all the time, when I can’t do my ciphering or forget my grammar lessons.”

She nodded, a look of exaggerated sadness twisting her wrinkled face. “A dreadful shame to be so cruel to such a dear, young child.”

She pulled a dented frying pan off the wall, tossed a pat of butter into it, lit a fire in her stove, and started frying up the toad with a pinch of salt and pepper.

“I…I don’t want you to kill him or turn him into a worm or anything. I just need you to chase him away, so they have to get a new teacher.”

Granny Hexham cackled to herself as she tossed the toad in the pan. “Yes, yes, yes, yes, I know many spells to vex him.” She flipped the toad onto a plate and started frying some eggs to go with it. “I can make it so that every time a Thursday falls on the seventh day of the month, if he wears black or green, a sparrow will drop its dung on his shoulder. I can cast a spell that will make his left wrist tickle perniciously before it snows. I can make him unable to spell the word ‘social.’ I can cause him to drop his favorite mug, so that it shatters into a thousand pieces, as long as that mug doesn’t have diagonal stripes on it. Do any of these little tricks strike your fancy, hmm?”

“Umm…” To see Granny Hexham, I had braved the dark forest, which my parents had told me in no uncertain terms never to enter. “Is there anything else you can do?”

She whirled around and glared at me. “I have other curses, little man. I can make him sneeze any time he meets the eyes of a two-year-old hog. If he has a fondness for fruit, I can cause pears to taste like slightly rotten apples. If that is not cruel enough for you, I can cause the knot of his favorite cravat to come untied twice as often as usual. Are any of these wicked enough for you?”

“Well…”

I have never in my life seen anyone take fried eggs from a pan with so much malice. She slammed her plate onto the table across from me and grabbed a two-tined fork so long I was afraid she’d skewer me with it, not her supper.

“Ungrateful boy. Don’t be so choosy. I haven’t tasted toad and eggs in a long time. I would rather eat them in peace.”

“Those curses are all really very wicked, but I thought—”

She stabbed the toad and bit off its head so forcefully that I shut my mouth with a snap.

After the lump of chewed toad made its way down her skinny throat, she licked her lips and said, her voice suddenly less hissing and mysterious, “Listen, I don’t know what you expect to get for a toad and a few measly trinkets. If you want better curses, you can go see another witch, but I can promise you nobody’ll cast a curse for cheaper than me.”

“But I’ve heard all about you. They said you were the wickedest witch this side of Glarmsby.”

She sighed and hunched over so far that her long nose almost dipped into the runny yolks of her eggs. “I was, little man. I was, but that was many years ago. In my prime, I could’ve had your teacher’s house eaten by termites or struck by lightning or given him the old yalping cough; howling aches; and the foul fustian flux. I could’ve filled his bed with hedgepigs and his breadbox with bog worms. I’d vex him. I’d well and truly addle him.” Then her voice rose and her jowls shook with anger. “But I’d like to see you do a better job of casting a curse when you’re a hundred and two, and your eyes don’t work, your back aches, and you set things down one minute and can’t remember where you left them the next. And for only the price of a toad.”

I wasn’t quite sure how to respond to her sudden outburst, so I fidgeted with the buttons on my coat and said, “What if I brought you another toad? Could you cast two curses for me?”

“Another toad, another stone from your shoe, and a fly’s left wing.”

I didn’t like the idea of walking around with an uncomfortable stone in my shoe for three more days, and flies are hard to catch, so I said, “My mom’s tomatoes are ripe. I can pick a couple of those to eat with your toad and eggs.”

She took another bite of toad and chewed thoughtfully for a minute, before saying, “You’ve got a bargain.”

So I went home and stole two oblong tomatoes and scoured the forest and splashed around until I had caught another toad and tied it up in my handkerchief. She told me she cast curses on Mr. Cospwattle that made his leg itch whenever he ate peas and that gave him a splitting headache in the morning of any day in October when a bird had sat on the roof of the schoolhouse the previous night. I guess it worked. I think I noticed Mr. Cospwattle scratching his leg sometimes as he ate his lunch out of a tin pail, and he did seem especially irritable in October from then on, but it didn’t drive him away. I doubt he noticed anything had changed. Finally, he got offered a better paying job teaching in the city and left. As for me, I never made another bargain with a witch. As far as I can tell, it’s not worth the trouble.

About the author:

Originally from Kansas City, Missouri, James Hobbs is currently a PhD student at the university of York, studying early modern history. He writes as a hobby in between doing research.

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Of Lost Boys and Stars and Sharks and Other Impossible Things

An Acorns Flash Fiction Feature

By: Alyson Tait

From low tide of the pirate cove all the way back to our camp, me and Peter ran, ignoring everything except each other and the traps we’d set because those weren’t for us. They were for grown-ups and other beasts: bear traps, swinging nets, and hidden pits with sticks we’d spent weeks sharpening. We didn’t stop until we reached our home tree. Staccato laughter punctuated gasps of air.

Peter boosted me, my foot pushing off his hands so I could grab a branch and climb. He jumped as if he weighed nothing and beat me to the top where we lay next to each other on thick branches and planks of wood, gulping air.

When we could breathe again, he turned to me, grinning. “They thought—” The rest of his sentence vanished beneath roaring laughter.

It’s impossible to know how long we stayed there laughing, catching our breaths, and talking in half-finished sentences about the raid on the pirates. The only marker of time was the sun disappearing, and in its place, the moon arrived, bringing friends with it. A hundred thousand million stars, and those were just the visible ones.

I asked Peter how many stars he thought there were. “Not just the obvious ones. How many total in all the universe?”

He shrugged. “Who cares? Wendy, you should leave that kinda stuff to the philosophers.” He stood and climbed down the tree, whistling a tune as if he didn’t have a care in the world.

And really, he didn’t. It was the best thing about him.

He didn’t care that he’d lost when we played cards that night, numbers barely visible in the moonlight—even when I’d played the queen of hearts. He never cared. Maybe because he never got tired, injured, or lost anything of great importance.

Sometimes, I wondered if he considered me of great importance. Was I worth him getting upset about? Would he grab that play sword of his and swing it at a pirate? Or a canyon if I fell in?

I almost asked but I knew what he’d say. The same thing he always said about questions like where the other kids were, how many stars there were, or why we never grew.

Leave it to the philosophers.

I didn’t need the philosophers for that one though—I just wanted his attention.

When dawn came, he didn’t sleep. Instead, he suggested we go swimming after breakfast.

The sun was bright overhead when our toes dipped into the water. I sat on the sand, nursing a stitch that pinched at my side because we’d traveled from one end of the island to the other with no dreams in between.

“The water’s warm!” Peter sang—taunted—from chest-deep in the lagoon.

“The water’s always warm!” I yelled back.

He shook his head. I could hear his thoughts. “Stop thinking so much.”

“So swim with me,” he said instead and grinned.

There was never any arguing with him, and I didn’t want to, I liked him too much.

So I swam.

We splashed and called out for the mermaids that liked to play sometimes and ignored everything else until my arms got tired and heavy.  When I was halfway to the shore, Peter yelled. I assumed it was about me leaving his game, but something sharp scraped against my leg.

I picked up my pace.

The sharpness came again. A thin burning pain ripped across my calf from some wayward shark that’d ventured into the shallower water.

My fatigue drained away—my tiredness vanished as if it had never even been there.

Water splashed behind me, and impossibly, my aching arms pumped faster despite my lungs burning from the effort until I was safe on land.

“Peter!” I screamed, voice cracking.

I didn’t see him anywhere. Not a limb, finger, or single strand of hair.

The water went still.

I held my breath.

“Come up.” My heart thundered in my ears.

Panic came in waves. My vision went dark at the edges.

I’d escaped. Was it because the shark had feasted on Peter instead?

That meant my guide—my best friend—was gone.

A choking sob left my throat.  “What do I do?” The thought was unfinished, swept out to sea with my heart and lungs.

Only the wind moved.

“Always so many questions, Wendy,” a laughing voice said behind me.

A startled scream tore out of me before I turned.

There he was.

My chest tightened and he grinned, as if the ocean hadn’t just threatened to take us away from each other. I slapped his arm for always scaring me.

His grin widened. “Too many questions, actually. Save some for the—”

“Maybe I’m the philosopher!” I said although I wasn’t sure what it meant. Not really.

I wanted to push him back into the water so he could feel fear too.

But then Peter laughed, and just like always, the sound took all my anger away.

When he caught his breath, we ran.

I ignored the scrape in my leg, and we ran all the way from the lagoon back to our tree. We didn’t slow down, not even to take a breath or watch the beasts that ran by. We tagged each other’s shoulders anytime the other got too far ahead, and both of us jumped over hidden pits, and we veered around the traps along the way so we didn’t get hurt because injuries meant less adventures—the worst possible thing to happen on Peter’s island.

When we reached the tree again, we flopped onto the grass, Peter laughing like always while I watched the sky. Clear, blue, and endless, like the ocean had been flipped upside down above us.

How many days of careless running did we have left? I glanced over, catching him staring at me with a grin. Maybe he was right. Maybe I didn’t need all the answers if I could still run with him, and maybe I should leave all those hard questions to the grown-ups.

And so with a grin, I decided I would.

About the author:

Alyson Tait was born and raised in the Southwest USA, where she walked alongside cactuses and scorpions before moving to Maryland. She now lives among the crabs with her partner, daughter, and multiple judgmental pets. She has appeared in (mac)ro(mic), HAD, and Pseudopod. She has chapbooks published by Querencia Press, Bottlecap Press, and Fahmidan Publishing, one book forthcoming with Graveside Press, and several novellas on Amazon.

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The Last Time I Saw You

An Acorns Flash Fiction Feature

By: Jake Stein

I called him by the waterfront, where the black river reminded me what I loved about the city and hated about the world. “I’m sorry for doing… what I did,” I said, between vaping my chemicals.

(Yeah, they were the bad kind of chems, but not the really bad kind.)

“Relax about it,” Beo said over the phone—always over the phone these days. “Nothing to apologize for.” And I could hear his wolfish grin, almost see it.

Almost.

I walked through the night alongside restless waters, puffing clouds. I chose not to check the reflection of my new haircut in a passing store window. “Well, just know… I won’t ever say those magic words again.”

“Never?” Beo sounded disappointed. “It’s not bad for me, at least.”

The spotlight of a streetlamp crawled past on the sidewalk, and I gazed down at the fading “X” on my wrist—an entry stamp from the last time Beo was in town, when I went to see his karate competition. But I couldn’t stare at that “X” on my skin, couldn’t think about what it meant, or I’d start crying again. “I just hate being this far away. I miss your face, and your hair. All of your hair—”

Ahead, someone stepped out of the shadows.

“Speaking of hair,” said this big stranger, who was attempting to block my path, “I really like yours.”

First off, I’m quick. You better believe I skirted around him, no problem.

Keep walking, keep walking.

But his footsteps grew louder. He was coming after me.

“Something wrong?” asked Beo, still on the line.

“Same old crap,” I muttered, picking up my pace. A glance over my shoulder told me Mr. Creep was fully giving chase, barreling through a cloud of his own chems—which, judging by the smell, were the reallybad kind.

“Get out of there,” Beo said, but I was already running.

“Didn’t you hear me?” the creeper called after me. “I love your hair! Can’t you take a compliment?”

Inhaling my chems, I turned onto a main street and waved down a cop, but he drove past. Probably figured there was no point in wasting his time on some chemmed-out low-life.

“Hey you!” This asshole was whistling and everything. “Don’t even turn around, I love how you look when you’re running away!”

Beo was panicking in my ear. “Talk to me. What’s going on?”

I didn’t answer, too focused on escaping this lunatic. Tearing along the waterfront, through an intersection, cars honking. No matter how much I tuned out the shouting behind me, I couldn’t tune out the footsteps, getting closer…

From thousands of miles away, Beo said, “The magic words. Say the magic words!”

I knew he was right, but as I swung around a corner, I blurted, “I can’t. It hurts me.”

“Hurts?”

“I mean, to only see you for…” But I was lost now, shooting through dark alleys, the kind where people don’t exist, only echoing sounds like the sound of the creep gaining on me.

He called out, “Don’t make me hurt you!”

And yeah, that was it. I took Beo’s suggestion.

Spinning on my heels, I dragged my chems, filling every little pocket inside me with sweet vapor—and released the cloud in my pursuer’s direction. In that split-second I felt like a dragon; I felt amazing. For once.

Before he even knew what hit him—or should I say, who—I spoke the words. The incantation I’d stumbled upon; the spell which was, I hoped, about to save my life.

The voice which fell from my lips was not my own, but the voice of a thousand sorrows, the not-sound before a car crash.

“I don’t want to call you my ex.

For a second, reality refused to break. My cloud merely floated past my assailant, dissipating around him. No spell.

Backpedaling, I found myself up against a wall. This alley was a dead-end.

The big guy was close enough that I could smell his wheezing dumpster-breath. He had that chemmed-out look of a festered turd with raggy skin, and his bloodshot eyes were crawling all over me. “Don’t wanna call me your ex, huh? That’s skipping a few steps. I haven’t even told you I love you yet…” But he trailed off, glancing over his shoulder.

My exhaled cloud was reappearing, expanding to fill the alley like fog. From those vapors a shape emerged, taking humanoid form. The eyes appeared first, yellow and leering. Then came the snout, the ears, the whiskers. The lean-muscular body covered in hair. He was standing on two legs, tail whipping angrily, drool hanging from snarling lips. He looked even more like a monster than usual.

My monster.

“What the—” And that’s all this creep could say, as Beo emerged from the mist.

I don’t think it would have taken more than two punches, but Beo gave him three. Beo, the wolfman I’d met in a different city where we both used to live. The black belt who’d been waiting for this moment his entire life.

I didn’t blame him for taking the third swing.

It was enough to send the creep off with a limp and a trail of blood. Darkness swallowed him, and in that instant it was like he’d never existed. A passing shadow of a night which could have gone so much worse… a night which would probably never leave me. But I would pretend—until arriving home, locking the door behind me, and stepping into a hot shower—that this attack had been nothing more than a nightmare, no more real than this version of Beo standing before me.

Beo’s mist-copy turned and smiled, massaging his fist. “Funny, it stings like I’m actually there.”

“Thank you,” I managed, and that was all. My throat knotted with tears. Looking at the doppelganger of my boyfriend was like poking a raw wound inside me.

Always hurts to see someone you love when you know they’re about to disappear.

Indeed, Beo’s cloud was already beginning to fade. It never lasted long. “Hey, don’t cry,” he said, even as he evaporated. “I’m gonna call you right back, okay? This won’t be the last time I see you.” And his vicarious presence wrapped his arms around me.

But I felt no embrace, only condensation.

“I do these chemicals to fill the space between us,” I said suddenly, shocked by the truth of it.

“We are too far away, I agree.” His voice was becoming quieter, quieter. “But I can’t afford to move out there, and with your mom, you can’t come out here…” And the cloud finally dispersed, those last wet tendrils of my breath-spell slinking away.

Eventually I found the river again and followed it. Beneath a streetlamp I studied my hand, trying to find the “X.” But the ink seemed to have completely faded now, like my chem vapors had washed the stamp away.

Beo called me, but I didn’t answer. I was thinking about how he hadn’t mentioned my haircut. Maybe hadn’t noticed.

I took another hit of my chemicals, the bad kind, and kept walking.

About the author:

Jake Stein’s work has appeared or is forthcoming in Lightspeed Magazine, Ellery Queen Mystery Magazine, and Aurealis.